If you want to elevate an item to heirloom status, Webster’s dictionary says pass it down, generation after generation.  

But solidifying an object’s place in your family history requires a little more tender loving care than that alone.

For every heirloom, we recommend you: 

• • • Preserve essential facts. What is it? How did you come to possess it? And closely related, where did it come from? Which side of the family?
    • Be specific. Why should anyone care about this object? The why is critical. Why does it matter to you and your family? 
    • Create awareness that this object even exists. If you’ve tucked it away or added it to a shelf or cabinet, never pausing to share its origin or story, no one will be able to raise their hand to say, “Yes, I want this” when the time comes to pass it down. Instead, it will easily slide into the discard pile. 
    • Provide and/or transfer relevance and context. When @Grandmom’s rolls recipe from the early 1900s was reborn and brought out for everyday enjoyment engraved in her mother’s handwriting on a cutting board, a whole new generation took interest in the recipe’s origin.

These points all build up to a key conclusion: You need a story for the heirloom.

Your story might be a poignant 5 words, “My father gave me this.” And knowing you, and that your father passed away when you were only 9 years old, your family understands a lot in those 5 words.

Or your story may be much longer and follow a beginning-middle-end story arc, pulling in the reader as you evoke in them the emotional or sentimental value and appreciation for the item that you feel.

Here are two very different examples of family heirlooms and their stories, one a traditional family heirloom, the other a modern heirloom, an object acquired now that the owner hopes will last for generations more.

The knitting needles with no story

Elizabeth is a passionate genealogist. Her globetrotting, history and life loving self has seen a lot and collected even more. While her home and the mementos within may be a living testament to her fascinating life, she is also a family keeper.

Despite being a genealogist, she’s inherited heirlooms without necessarily giving much thought to their origins or their futures.

Case in a point: her beloved knitting needles. Elizabeth brought her knitting needles to an Arti Afternoon, an event with one of the founders of Artifcts during which participants share items show and tell style. Elizabeth volunteered to go first.

“I brought these, because I love them, but they don’t really have a story.”

Our co-founder Ellen nodded, encouragingly. “Objects don’t have to have deep stories to share them and Artifct them. It’s enough to let your family know you love them and what you want to do with them one day. But I have a question: What are those?”

You see, Ellen didn’t even know what the objects were that Elizabeth was holding. 

With a startled laugh, Elizabeth replied, “Oh, they are knitting needles.”

“Knitting needles?” Ellen said with a questioning look.

“Yes. They’re made of whale bone.”

“Whale bone,” repeated Ellen, thinking to herself she was starting to sound like an echo.

“Yes, my Yankee grandmother lived in Connecticut and was an accomplished knitter. Hers was a whaling village. I’ve had family in that area since the early 1600s.” Elizabeth went on, “I love how the needles feel in my hands, so much nicer than plastic.”

With a smile, Ellen turned to the group, “Who here thinks these needles have no story?” 

Smiles and laughs returned all around. These needles have a great story and are a sweet family heirloom and dose of national history all in one. 

A 50-year-old Yugoslavian stool

From the Artifcts collection of our co-founder Ellen Goodwin.

You know the stools that students used to sit on back in the day - four fixed metal legs, a circular wooden top that spins? Picture them in a chemistry lab. Picture them in Yugoslavia, built from iron and native oak, handmade, and in the "brutalist style."

What style is that, you ask? You know brutalist style from many government buildings in the US, your travels through Eastern Europe and the former states of the USSR, and the movies. Think large cement minimalist buildings, the opposite of beautiful aesthetics. If you have a home with a lot of personality already, a splash of simplicity in the "brutalist" fashion may be just what you need. Or at least that’s how I think of it. 

They say beauty is in the eye of the beholder, and that's the case here. I think it’s more fun to sit on a stool with history than a modern, lighter weight, less durable replica or alternative. You get to feel connected to another time and culture. That's what the stool means to me, a collector who is curating my home to feel uniquely us.

And if you think it’s strange to fixate on the charm or design of a stool, blame my mom. She had this really cool antique stool in a corner that always had one type of draping plant or another perched on it. I wanted something like that, that felt homey and less ordinary, I guess.

And that makes this 1970s Yugoslavian creation a keeper. Will my daughter want it ever in her home, transforming it into a modern family heirloom? Maybe. For now, it’s a stool with a story that Mom picked out.

(By the way, the fact that the company reselling the stool has an icon that's a laughing grandma smoking a cigarette amuses as much as mystifies me. And that, friends, adds further charm to my 50-year-old Yugoslavian stool.)

Ready to tell the stories of your heirlooms?

If you need some prompts to get started telling the stories of your heirlooms, we always recommend what author Jeff Greenwald taught us: Start with something true.

In the story of the knitting needles, simply answering “What is it?” was enough to unravel a story that the owner had never recognized was there all along. And now, with the story known and Artifcted, it’s exponentially more likely those needles will stay in the family.

When creating an Artifct, click the lightbulb icon in the story/description field to get other prompts and our downloadable worksheet.

Here are some other tried and true heirloom storytelling prompts from genealogist and author Deborah Holman:

• • • The first time I saw this object, I felt ________. 
    • This object reminds me of ________. 
    • If this object could talk, it would say ________. 
    • This heirloom is important because ________. 

And we have a special bonus for you. Deborah has shared with the Arti Community her Heirloom Storytelling Worksheet. Download it free now.

Happy Artifcting!

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© 2025 Artifcts, Inc. All Rights Reserved.

Today is International Holocaust Remembrance Day, the anniversary of the liberation of the Auschwitz-Birkenau concentration camp. Through the artifacts and stories carefully preserved and shared, we can connect with our shared history and bring forward its lessons to a new generation. We hope you find inspiration in this story, the spoken and unspoken history of a family that has now been brought into the light. We extend our deep gratitude to Deborah for sharing her story.

_________________

Meet Deborah.  

Deborah grew up Jewish, the kind of Jewish that enjoyed matzah but also celebrated Christmas with other kids in her Connecticut neighborhood. Being Jewish, she felt different, special, “even if I didn’t know what being Jewish meant.”

While Deborah knew vaguely of her family’s migration from Austria to the United States during World War II, she knew little of the details that completely relandscaped her family’s lives.

Fast forward many years to 2003 when Deborah asked her mother about family documentation that might exist to support reparation claims for those who had property stolen as the Nazis swept across Europe. “My Mom said, ‘Good luck with that,’ and pointed up, to the attic, ‘Everything’s up there. Suitcases full. Take it.'"

Sure enough, Deborah’s great grandfather, her mother’s paternal family, had squirreled away a plethora of ephemera to document his original Vienna-based hat business, along with letters and other materials of their life. Everything they had departed Vienna for the US with, was all that remained. The rest? The rest was in secure storage at a port in Italy, destined for a ship to the US, and stolen when the Germans overtook the port. 

“It turns out, my mother’s maternal family, having left for the US a few years earlier arrived with practically all of their household items. We’re talking everything down to their 12-piece fine porcelain dinner service.” But of course, they lived in a small apartment in New York and had no need for most of the items. It all sat in storage for decades, wrapped securely in the same 1938 newspaper it shipped over to the US in.

Following are snippets from our co-founder Ellen’s conversation with Deborah in honor of today’s International Holocaust Remembrance Day. We’re sharing some of the spirit and content behind her discoveries into her own family history and the holocaust. Her Artifcted collection of family artifacts and her book Nothing Really Bad Will Happen provide you, the curious, with so much more historical color and context. We encourage you to explore and take in the themes of resilience, legacy, and survivorship.

_________________

Ellen Goodwin: Where did all these family artifacts come from? You have a hat designed by your great grandfather, a vast collection of mementos and ephemera. Who was keeping them all this time? How has it been preserved?

Deborah Holman: Well, one part of my family lost everything, and the other saved it all.

My mothers’ father’s family essentially lost everything. They moved it into a storage container in Italy in 1941 to ship to the US once they got here. But when the Germans captured the port, everything they owned was stolen. They arrived with a suitcase and 5 bucks. The only reason I have one of the hats from my great grandfather’s hat factory in Vienna is I was able to find one on eBay!

My mother’s maternal family left earlier, in 1938, and they kept everything. They dragged all of it from Vienna and deposited it in the storage area of their apartment building. It sat there until it migrated into my mother’s attic, wrapped, unused, and never spoken of.

Goodwin: But your great grandfather’s documents, they were an exception. They made the trip with him to the US, right?

Holman: Yes, exactly. When they confiscated his hat factory, he began immediately to try and get it back. He saved every document, every letter for reparation claims. It was a whole additional suitcase in my mother’s attic I never knew about.

Goodwin: You never knew. You mean your mother never discussed it? 

Holman: Never. My mom was six when she fled here with her mother and grandmother. All she ever said were things like, “I could have been a princess,” and “Maybe I could have had a sibling,” or “We had money, and then we had nothing.” I knew her father had spent 10 months in two concentration camps, my grandmother had all the letters he sent every two weeks, but that’s it. 

My daughter was the only one to ever open a small crack into my family’s holocaust history when she interviewed my mother for a school project in the late 90s. I don’t know how accurate the memories were, but my mother shared more than I had heard before. And then that was it, “There’s no point in talking about it anymore,” were my mother’s final words on it. 

Goodwin: When going through large collections like these you expect to find certain things: passports, travel papers, letters, and the like. Did you find anything surprising?

Holman: As I was writing my book, I was feeling guilty about how I portrayed my great grandfather, the hat maker. He does not come across as a really good guy, so stern. And that’s where the title of the book, “Nothing Really Bad is Going to Happen,” came from. His view of what the Nazis were doing was akin to “this happens to Jews all the time.” He almost blew it, not getting out until ’41 because of his mindset. 

And yet, one day out of the blue, my sister called to tell me she found his wallet in a box in her house. She has no idea how it came to be in her possession. And tucked in the back of the wallet was a newspaper article, written in German. I translated it and discovered it was essentially an advice column, advising against giving your children too much before you die because if you do, they won’t learn to be self-sufficient, and they’ll want you to die prematurely so they can get your stuff.

With that article, I realized, I portrayed him pretty accurately. Guilt gone!

Goodwin: And THAT is why I tell people the things we keep speak volumes about us, what we value, and even our aspirations.

So, you have all this now, and you know more about your family history. What will become of these physical artifacts?

Holman: We’ve agreed we want to donate items of broader interest to an institution where people will get to see it all up close, somewhere more intimate. There are some museums in NYC as well as the Center for Jewish History that we have in mind. 

Goodwin: As we bring our conversation to a close, I’d like to circle back to where we began. You said as a child you didn’t know what being Jewish meant to you. What does being Jewish mean to you now after you’ve done all this family research?

Holman: Being Jewish means strength and resilience. It means “Good luck. Do what you want. We’re not going anywhere.”  

_________________

Let this be your call to action on this International Holocaust Remembrance Day. Let this family's artifacts of the past and the people and stories they represent remind us always to stand against hate and intolerance in all its forms. We are better than our past, always improving with the lessons of history as our guide.

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© 2025 Artifcts, Inc. All Rights Reserved.

The following story is based on a true story shared with us by a member of the Arti Community. We’ve altered some details to protect their privacy. We hope their experience helps you feel less alone in the tough choices you make as times change, your way of life changes, and who you live that life with changes, too.

________________

When my father passed away, my mother was truly on her own. But she was not physically or mentally healthy enough to live on her own. My parents had been married for 63 years. Solitude and independence were foreign to her. I know that in many families the open question in this scenario is, “Who will take care of Mom?” If that’s the story you are expecting, you can stop here. That is not our story.

For my family, when it came time to settle the estate, my siblings and I sat down together in our childhood living room and spoke very frankly. All in our 60s and 70s, we knew our own minds and we knew each other well enough to hash it out together fairly quickly.

My brother said he wanted the house. He had no desire to leave the local area, so taking over the family home was his top wish.

My sister wanted my mom. You read that right. Her one request was that Mom move in with her so she could take care of her and ensure she had constant familiarity and companionship. This suited Mom perfectly, and so she moved into my sister’s home where she spent the final 10 years of her life.

Are you now wondering what it was I wanted? One thing: a cabinet that had sat in our family’s living room for as long as I can remember and surely longer. It contained the most glorious accumulation of ‘stuff.’

As a child, I wanted nothing more than to open the doors and explore all the knickknacks inside. I’d ask my mom about everything, driving her crazy as she was trying to get on with other tasks around the house. To me, a burnt casserole in the oven was just fine if I got to hear the story of Grandma’s crystal bowl one more time. 

The Cabinet of Curiosity Lives On

This cabinet of curiosities now sits in my home, filled with some heirlooms from my mother and my grandparents too. But over the years it has taken on the personality, interests, and lives of me, my husband, our children, and our grandchildren. It’s filled with stories, stories we tell as often as we may. The reality is, we have so little time together with our family that I don’t think there will ever be enough time to share them all. 

When I use the dishes and glasses, I think of the relatives who owned them. For example, one of my dear mother-in-law’s beautiful wine glasses has a nick on the edge. When I wash and dry the glass, and feel the edge, and I remember how she dearly loved her family despite our flaws. 

We have a silver bowl awarded to my husband for outstanding geological research, always in need of a polish, and seldom out on display (shame on us!).

Buried among the crystal pieces you’ll find a decanter we bought in Prague in 2012. It’s leaded crystal, so we couldn’t actually store the port we'd drink in it. We needed to decant only what we intended to drink. And, with that level of practicality, can you really blame us for letting it fall into disuse?

We also have the baking dish that Grandpa Art used for his freshly caught fish. And two glasses that our wonderful Uncle Lawrence and his friend created as they practiced their glass etching skills. Oh, and the vases from our travels in China. I’ll stop there, because it truly is my cabinet of curiosities.

My hope for you all is that you will discover the joy that is Artifcts. There are stories I want shared with my immediate family only. Other stories are for my siblings, my church friends, and others. Artifcts offers me a safe place to record and share them. 

Artifcts has become a lovely addition to my day, sitting down to create a few Artifcts, reflecting on my life, sharing with loved ones, and feeling like I’ve done my bit to ensure my family’s history is passed on. I know one day I’ll leave behind a cabinet of curiosities and memories to cherish.

________________

We know that maybe your story is not about a cabinet. Maybe your story and the messy memories of lives lived are decorating your shelves, packed away in boxes, or adorning every square inch of your home.

Whatever it is you collect, whatever items you choose to hold onto, do yourself, your stories, and your loved ones a favor, and record what these things mean to you. You may be surprised by the fun you’ll have in the sharing and telling, too!

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© 2025 Artifcts, Inc. All Rights Reserved.

Note to reader: If you're excited about the recipe pictured above in this article, you're in luck! It's Artifcted and available here for you along with a photo of the original baker herself so you can make these treats at home, too. Enjoy!

When I was a kid, the sweet smell of cherries would waft through the house as my mother cooked down Door County cherries to transform them into all things delicious. My favorite was cherry jam, hands down. A sweet but tart treat on crepes, toast, and pancakes.

The physical artifacts of jam are many. Photos of our family out picking the cherries. Cookbooks and recipe cards, pots and slotted ladles. And of course, cherry juice-stained shirts, reused year after year while pitting the cherries.

While the ambition of passing down these traditions, cookbooks, pots, and so on, is a touching and earth-friendly one, reality suggests we need an alternative. Tight living spaces, our more nomadic lifestyles, and the fact that only person can inherit that item, when maybe 3, 4, or 5 of you want it, means going digital helps ensure your culinary traditions live on and can be shared with all.

Start Your Ovens and Your Artifcting 

This holiday season, as you set out to reenact old traditions and create new, keep your Artifcting habit front of mind so you can capture those moments and the details to recreate them long into the future. Here are holiday-ready Artifcting tips for all things culinary: 

Supplies and tools. You might think taking pictures of the supplies is senseless, but exactly WHICH brand did your uncle always use? And when Grandma said a cup, did she mean a 1 cup measurement, or did she use her favorite “cup?” When it came to this grandmother’s biscuits, it was most assuredly the latter! If you’re aiming for more predictable results like her granddaughter, Artifct those tools, too!

The real recipe. There’s the recipe that’s written down—and how we love seeing the recipe in someone’s original handwriting—and then there’s the recipe as it is actually made. If you can, participate in the making this year and take notes to compare with the current recipe of record. Artifct a recipe that includes all the details, making it less stressful to recreate next year.

Tricky steps, strange consistencies. If there is some art in the making, a short video or even a picture can help. I tried to capture just that in this Artifct because as a novice baker I was incredibly unsure that the consistency of my dough was right.

The end result. Beauty is in the eye of the beholder, we know, we know, but capturing a beautiful photo of the completed recipe to feature in your Artifct will entice family and friends to check out the recipe. And isn’t that the goal? You want them to check it out and bring it into their kitchens, too.

BONUS! If you ever publish your Artifcts to a custom holiday book or cookbook, you’ll have the great picture you’ll want to feature with the recipe and its story.

Make Artifcting a New Family Holiday Tradition 

Artifcting your holiday traditions is fun and easy and by design draws in people of all ages.  

If you’re reading this as you are nearly ready to sit down for your holiday meal, consider grabbing a stack of notecards or a blank book and passing it around. Gather favorite recipes, in their handwriting, to Artifct and share after the day.

Getting ready ahead of time? Make Artifcting easier for all to enjoy by taking a few minutes before the holiday to create an invite-only circle on Artifcts—our co-founder Heather does this ahead of every holiday meal hosted at home. Invite to your circle your brother, sister, parents, neighbors, and all others joining you for the holiday. Encourage them to share their recipes, holiday décor, and “best of” pics from the day with the circle to easily relive and enjoy for years to come.

Creating a circle is fast and easy. Watch our video or follow these steps:

1. 1. 1. Sign in on Artifcts.com.
      2. Go to the plus (+) menu in the top banner.
      3. Choose "Create a circle." You'll have options to add an image for the circle, name it, and add a description.
      4. You then have two options for inviting members.

• • • • • Option 1: Continue by adding each member's Artifcts screenname or email address, and then send the group a custom note so they know why you've invited them.
        • Option 2: Save your circle without adding members, and then click to ceate your  copy an invite link to send to everyone via email, text, or however else you prefer to reach them. Remember, to access circles you've created or have been invited to, go to your "Special Collections" in your top right menu.

We wish you happy Artifcting!

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For an extra dose of inspiration, sign in and download our culinary checklist for free!

© 2024 Artifcts, Inc. All Rights Reserved.

Earlier this year we called out on social media for a genealogist​ who ​was interested in collaborating with us to see if our co-founder Ellen was in fact related to a global superstar.

Guess who the mystery superstar was? Lady Gaga!

This potential connection seriously confused Ellen, who asked, “Isn’t she Italian!?” whereas her family has a mix of Luxembourgian, German, French, and English heritage. It turns out Lady Gaga was a case of an over eager auto correct in a text message from Ellen’s genealogist aunt. The message should have read Lady Gage, with an “e,” as in the wife of Thomas Wentworth Gage, a commander-in-chief, North America, during the early days of the American Revolution. Granted, Lady Gage is still in impressive ancestor, but she somehow lacks the awe power of Lady Gaga.

We met with our volunteer, Jill Browne, Founder of Clutter School (@MessyNestDeclutterCoach on IG), and discussed exploring other family history instead, potentially through what, with a ​bit of ​latitude, could become ​ancestral ​Artifcts.

Today we’re sharing the highlights with​ you​, Artifcts style, as Family History Month ends, and we all settle in for a long winter’s nap, aka the holiday season with our family where family lore and history are born and shared. Seize the moment. Use these Artifcts as inspiration as you ask for details, sift through old family photos, and maybe even take home an heirloom or two, and Artifct That!

Over to you​, Jill​!

An Uncommon Ancestry Approach to Artifcts 

I love the concept of Artifcts. To me Artifcts offers an opportunity to create a digital museum of whatever one wants to preserve.  
 
As a geographer, I am fascinated by the immovable parts of our histories: landscapes, buildings, towns, roads, statues, and so on. As a genealogist, I can't resist a good cemetery, too. As Winston Churchill said, "We shape our buildings, and afterwards our buildings shape us." He was talking about the Commons Chamber in the UK Houses of Parliament, but the same thing applies to our homes and to the shapes of our cities and towns. Buildings and cultural landscapes show us what we think is important in the part of the world we occupy.

This collection of Artifcts includes only one portable object, and it’s not in Ellen’s family's possession. It's in a museum and probably most people in her family have no idea it exists.

But with this one object, we can all appreciate how a single artifact can become a significant piece of family history to dozens, even hundreds of people with the passage of time. After​ ​all, you probably don’t even know your third cousins, and yet you share the same 2X great-grandparents. If any family heirlooms that belonged to those ​distant ​great-grandparents still exist, most likely you and your third cousins, their descendants, have no idea, or, if you do, have lost the history behind them. 
 
This is one reason why I love the intersection of genealogy and Artifcts, and ​it’s also ​my defence of Artifcting things you don't actually own. It gives people a chance to share and to discover parts of their family's history that basic genealogy doesn't usually include.

Now, let’s check out this Artifcts collection!

The Artifcts

Out of the many possible objects and stories tied to Ellen’s May (maternal) and Bowker (paternal) heritage, here are the ones I chose for Ellen’s ​ancestral ​deep dive:

• • • a piece of WWI trench art, 
    • two cemeteries, 
    • a town, 
    • a homestead, and 
    • a national historic site. 

Artifct #1: First World War Trench Art engraved "Leut AH Yorton"

The Artifct preview below shows a piece trench art, in this case a decorated artillery shell. The ​etching​​ indicates​ France, May 21, 1918, A. H. Yorton​.​ ​It ​commemorates the day Andrew Yorton entered the trenches with Wisconsin’s 127th Infantry. As this article from the Lewis Army Museum points out, it's not known whether Andrew created this piece himself or commissioned the work, but the article does offer amazing details of Andrew's service during WWI.

And who is Andrew to Ellen?

Andrew Henry “Hank” Yorton (1886-1959) was Ellen’s ​second ​great-uncle, the elder brother of Ellen’s great-grandmother, Rena Yorton Wilson (1888-1965). ​In January 1906, ​Rena ​​married Glidden Wilson, ​​the very man who bought the family harp ​that ​Ellen has often referenced and shared here.

From a family history point of view, the story here is that Ellen’s great-grandmother and all the rest of her brother Andrew's family had to endure the long wait while he was away in France, never knowing if he would return. He sailed for France on February 18, 1918, and while the war officially ended on November 11, 1918, he​ didn’t leave​ France ​until​ December 10, 1918.

The US ​observes​ Veterans Day, and Canada Remembrance Day, every November 11th, making this ​shell ​a fitting Artifct to share and reshare this time of year.

Artifct #2:  Two cemeteries in Aurora, Kane County, Illinois 
 
Can a cemetery be an Artifct? In my book, yes! Cemeteries are pieces of our heritage that connect families to their past. As physical places, they create a tiny dot on the map where we can say, yes, this is part of me. I would be especially likely to keep a cemetery as an Artifct if it had several generations of my ancestors. I don't have that, but Ellen does, and then some!

In fact, Ellen’s maternal family ancestry converges in Aurora: If Ellen were to look at just this one geographic area, she would find the impact of multiple ancestral families.

The Marywood Cemetery in Aurora has the graves for Ellen’s May and other ancestors going back in a nearly unbroken line to their very arrival in the US.  
 
The ​Calvary​ Cemetery has the ​graves and memorials for the ​original May family immigrant parents, Johann Petur May (1799-1861) and his wife Anna Knapp May (1794-1857), who were from Luxembourg. Their son, Nikolaus May (1838-1909), buried in Marywood, was also born in Luxembourg. He emigrated with his parents and at least some of his siblings in 1856. 

The May parents died within a few years of their arrival, but their son Nikolaus, continued to live in Aurora, where he married Eva Kellen (1842-1910). Eva, while born in Germany, had a father who was native to Luxembourg as well. That’s why it’s unsurprising to see Luxembourg feature prominently in Ellen’s maternal side DNA profile.

Artifct #3: The Town of Clockville, New York

Clockville also gets my vote for another unconventional family history Artifct. It has a known connection to not one but two families in Ellen’s family tree (Yorton and Lamoreux). In addition, Clockville is so small, that if Ellen were to visit, no matter where she’d venture in Clockville, she’d probably be retracing her ancestors' footsteps.

Remember Ellen’s great-grandmother Rena Yorton from our Artifct above about the trench art? She descended from Paul Yorton (1793-1871) and among her siblings was a brother, Hank, who was born in Clockville, New York. This is just a hamlet, but in its cemetery, you will find their dad Paul, Ellen’s 4X great-grandfather.

It’s through Rena’s brothers that the connection the Lamoreux family is made: Hank married Electa Lamoreux, and George married Electa's sister, Elizabeth Jane. This connection between the Yorton and Lamoreux families persisted as a number of them migrated west from Clockville to Wisconsin, where Ellen grew up. The “Old Lamoreux place” near Ashland, Wisconsin, is well known and Hank’s and Electa’s son Morris lived there at the end of his life.

BONUS TIDBIT: When you’re conducting genealogy research you often find threads you don’t have time to pull in the moment. This is one of those threads and too good not to share. Previous research by Ellen’s aunt traces the Yortons back to the Netherlands and Germany, although some other members of Ancestry.com may have found different lineages than her aunt, including a potential family association with the Dutch East India Company in Cape Town. That may be valid or completely fanciful. More research for another day!

Artifct #4: Castle Garden Emigrant Depot

Castle Garden deserves an Artifct if for no other reason than to dissuade you from potentially thinking of Ellis Island as THE point of entry for immigrants to the US. Not so fast!

It’s understandable that many people associate Ellis Island with the immigration of their families, as many immigrants to the USA did pass through the famed location.

But "about 20% of Americans can trace their ancestry to someone who went through [the earlier arrival station] Castle Garden,” according to the US National Park Service. Ellen’s May ancestors immigrated to the US in 1856, which would have put them in the right time frame to be processed at Castle Garden.

Artifct #5: Bowker homestead, Shabbona, Illinois

For the 5th and final Artifct, we’re switching gears for a peek into the paternal (Bowker) side of Ellen’s family to place them on the map (wink, wink) before we close out this genealogical Artifct exploration.

On March 16, 1849, Daniel Bowker bought 160 acres of land from James Jack, a Private in the Army who was given a Military Warrant for the land. Here is a copy of the transfer document dated December 20, 1850.

The land is close to Shabbonna's Grove, named for Chief Shabbonna, a Potawatomi Chief and notable figure in the history of the area. Here is a map of Shabbonna Township, DeKalb County, Illinois from 1860, with Daniel Bowker's name on the south-west quarter of section 12.

You can see how the area looks today – wide open farmland – on Google street and satellite view. 

Genealogy and Artifcts

These are the sort of Artifcts that genealogy and family history research can turn up, with only a taste of the finer details left in to give you a feel for how genealogists go about the telling of family history. But for most people, it’s not about the historical facts and dates but the key themes, stories, and connections behind these discoveries that matter most. And have no doubt, there are loads of more conventional artifacts hanging out in Ellen’s tree should she go looking to Artifct them, too – census records, photographs, drawings, certificates of birth, marriage, and death, and so on.  
 
Artifcts is a wonderful place for keeping and sharing memories. The five Artifcts I've shared are about recovering memories, recognizing the connections, and discovering and sharing the stories and doing so in a way that resonates through the generations. I hope they inspire you to preserve and share your own family history discoveries, traditional or otherwise, too.

Happy Artifcting! 
 
Jill

Enjoy all things family history? Take a look back at these ARTIcles, too.

DIY Family History Book: Publish Your Artifcts with Akin

An Easier and More Personal Approach to Family History

Use Artifcts Timelines to Enrich Your Family History

10 Ways Genealogists are Using Artifcts That May Help You, Too

How to Artifct Family History and Heirlooms

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© 2024 Artifcts, Inc. All Rights Reserved.

We live in a world of information overload, and if you’re digging into family history, that overload threat is potentially multiplied by generations.

Some of us organize our research and learnings in folders, and folders within folders. Nothing other than the name of each folder provides us a clue as to how everything inside relates or where gaps in the content may exist.

Others of us rely on hardcopy photo albums and scrapbooks, often missing the contextual details and stories to bring those books to life when the creator of those books is not there to talk you through them. And how do you modify them once complete?

Whether you’re just getting started with fleshing out your family history or focused on closing gaps, we think timelines are a powerful tool to have in your corner. Dive in with us!

Enriching Family History with Artifcts Timelines

Digital timelines can be hit or miss. Many applications, from Google Photos to specialized genealogy software to Facebook, offer timelines, but they often are rigid in terms of editing and lose the context for each entry. That’s because those timelines simply place photos, for example, in sequential order or display SOME information while leaving other information (documents, photos, ...) in separate, disconnected albums or galleries.

We view the Artifcts timeline as the ultimate way to future proof your history by, first and foremost, revealing gaps in the life moments you've captured with your Artifcts. True story: When our co-founder Ellen first looked at her personal timeline, she realized she’d never Artifcted anything about her wedding! Oops.

Once you know your gaps, you can then create new Artifcts to enrich your history with the stories and memories that have been left out. Another approach would be to start with Artifcts you’ve already created and add in videos and audio and/or supporting documentation for more color and context.  

Here's a great example of enriching a family history. It's one thing to know who created this painting:

It’s another to hear first-hand what the artist was trying to capture and what the painting means, a generation later, to the artist’s son. Listen in -->  

Sharing family history in bite-sized mini-stories via Artifcts means you make feel-good progress a bit faster and family are more likely to tune in and listen to the whole story.

Put Timelines to Work for You!

As you Artifct, we create your timeline automatically.

Assuming you have created a few Artifcts already, you will find your timeline by visiting your homepage and choosing "My Artifcts." You'll see the timeline option marked with a yellow "New!"

If your timeline is a bit sparse right now, check out the public Artifcts in our founders' timelines for inspiration - @Heather and @Ellen have shared many Artifcts over the past few years. 

As you explore Artifcts timelines and think about your family history, test out the built-in timeline features, because you never know from where inspiration may spring:

• • • Switch between annual and decade views.
    • Flip your Artifcts from newest-to-oldest and oldest-to-newest.
    • Drag and drop to move any Artifct to a different year.
    • Add time period notes, per year, about key events or family history research gaps.

We have great FAQs about timelines and a quick video ready for you as well.

Share with Us 

We’d love to hear what you learn about your own history when you look at it anew as a timeline. Had you skipped key life events? Are there whole decades missing? What inspires you to fill in any gaps? You can write to us at Editor@Artifcts.com  to share!

Happy Artifcting!

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© 2024 Artifcts, Inc. All Rights Reserved.