I never planned to collect anything. I always had little things that I loved and kept, like a ring or a postcard, but never a grouping of any one thing. But that changed in 1992.
I received my first real bonus check and decided I was going to buy one big vintage poster for my NYC apartment. I went to the Chisholm Larsson Gallery with the intention of this giant statement piece for my wall, but instead, I saw this small whimsical little poster that I just loved. Little did I know that it would change my life and make me a collector.
The poster, Dom Z Facjata, I would later discover was a Polish film poster from 1963. The English translation is “House with Façade,” and the image never quite connected with the title like US film posters do.
The next year, bonus time rolled around again, and I went back and found another, Zagubione Dziencinstwo, which translates to the 1954 British film, “Mandy.” Again, the connection wasn’t quite there between the image and the film title or content.
I knew I had to dig in and understand more about why these posters were speaking to me.
THE POLISH SCHOOL OF POSTERS
In a very brief history lesson, the Polish School of Posters was an artistic movement from about 1950-1980. After WW II, the Polish People’s Republic was under strict Soviet rule. Oddly, posters were one of the only artistic outlets that were permitted during this time.
Artists could interpret images for the Ministry of Art & Culture, which included film, theater, opera, circus, and other events. I later learned that these posters were full of metaphors, political winks, and symbolism about the time. This was why the images in each poster were not literal in terms of the film, opera, or event the poster was promoting. The posters became puzzles to me, challenging me to figure out the film, the image, or any connection I could make.
I continued collecting and learning, buying at least one per year and seeking them out in different galleries in cities in my travels. Fast forward many years to today, in 2024, when there are at least 20 Polish film posters hanging in my home, at least 15 in storage, and many in their shipping tubes because I am out of wall space.
There are books from Poland on the history of the art. There are sites where I keep track of my “wish list” posters that I’ve yet to find. There are emails to a gallery in Poland always in the inbox. And so on. The posters are bright and fun. They are 50 to 70 years old and still look fresh and new.
To the average person visiting my home, it simply seems like a vibrant group of framed artworks, but there are so many lessons I’ve learned about art and history and film and politics all through collecting this joyous art, proving that you never know where a collection will take you.
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