August is Make a Will month and although it is probably not a holiday (or month!) that we tend to celebrate, it's a topic that we should all address at some point or another. If you happen to be one of the nearly 12 percent of Americans on holiday this August and you're reading today's ARTIcles story, nothing says I love you like sinking your toes into the sand next to your partner and striking up a conversation about end of life planning. 

We invited Rachel Donnelly, founder of AfterLight, co-founder of Professionals of After Loss Services, and author of Late to Your Own Funeral: How To Leave A Legacy And Not A Logjam, to join us for a conversation about one of the few things that is gauranteed in life (in addition to taxes and aging). Read on for Rachel's practical advice, tips, and conversation starters. There truly is no time like the present to have the conversation we may all be putting off (and off). 

Heather Nickerson, Co-Founder of Artifcts: Rachel, you are an after loss consultant. I think "after loss" is clear for all, but can you illuminate what services you provide in this role?

Rachel Donnelly: Sure! As an after loss consultant, I help people navigate the logistical and administrative tasks that are unavoidable after the death of a loved one. This role encompasses a wide range of responsibilities, including organizing and closing accounts, coordinating and completing forms, locating and securing necessary documents, and managing estate clean-outs or disposing of tangible personal property, as well as working with attorneys, financial advisors, and other professionals. I’m essentially the project manager you didn’t know you’d need when someone dies, helping clients navigate challenges like being overwhelmed, missteps, and missed deadlines.

Nickerson: So not all your services are necessarily offered literally after someone dies, sometimes it's about preparedness for that eventual reality we'll all face?

Donnelly: Yes, and after working with hundreds of clients, I know the common blind spots that people overlook as part of their estate planning and organization. I can serve as their “personal trainer” for estate organization, acting as an accountability partner and coach before something happens. That might mean organizing estate documents and digital assets, inventorying their belongings, or making sure their executor isn’t left guessing. Think of it as doing your loved ones a huge favor in advance. It’s the “leave a legacy and not a logjam” approach.

Nickerson: Who typically calls you in an after loss scenario? Is it the estate executor, aka next of kin, who really isn't sure what on earth to do now?

Donnelly: Yes. My client is usually the named executor, a surviving spouse, or an adult child who has just lost a parent. They're grieving and overwhelmed, confused about what to do first, and feel like they’re drowning in paperwork and tasks. That’s when I step in to bring order to the chaos.

Nickerson: What led you to take the leap from being the founder of your own after loss business at AfterLight to co-founding an organization to train others—Professionals of After Loss Services (PALS)?

Donnelly: What began as an informal networking group of women with businesses similar to mine has grown into the first and only dedicated community for after loss professionals. There is a significant need for professionals who are both trained and experienced in handling loss situations. While the field is growing quickly, there is still a gap in connection, consistency, and shared knowledge.

We created PALS to close that gap by building a network of trained, vetted professionals who understand the unique needs of clients after a loss. Our mission is to raise the standard of care while fostering a supportive community of pros who truly “get it.” We bring together people who are passionate about helping families navigate the administrative and logistical challenges of settling an estate while grieving. Whether you already serve families after a loss or are exploring how to begin, PALS is the place to learn, connect, and grow. As we like to say at PALS, a rising tide lifts all boats.

Nickerson: Among PALS-trained professionals, are there subspecialties? For example, do some professionals work more with widows or with families who have lost a child?

Donnelly: Yes, absolutely. While all PALS-trained professionals have a strong foundation in after loss logistics, many bring their own unique backgrounds to the table. Some focus more on grief support, others on estate organizing or clean-outs. We also have professionals who specialize in working with widows, the sandwich generation, or solo agers. It’s not one-size-fits-all, and that is what makes the network so valuable.

Nickerson: You also have “The checklist of death," not something most people probably hear on a daily basis. Where do you see the most mistakes made? What is most commonly overlooked? What are the first three steps someone should take in nearly any after loss scenario?

Donnelly: I love that phrase because it’s real. The biggest mistake I see is people jumping straight into tasks like cleaning out the house or closing accounts without understanding that there is often a specific order these steps should be followed according to the estate plan. Skipping that order or protocol can create significant problems later.

Most commonly overlooked? Digital assets. People often forget about email, cloud accounts, subscriptions, and social media, which can hold financial, exchange, or sentimental value.

As for first steps, aside from the funeral or memorial:

1. 1. 1. Secure the home and cars, and forward the mail.
      2. Locate the will, trust, and other important documents.
      3. Make a detailed list of what they owe and what they own, which will be crucial during the estate settlement process.

Nickerson: And last but not least, you are a published author. What’s the feedback been like on your new book? Are you hearing from readers about "ah ha" moments?

Donnelly: It’s been humbling and amazing. People tell me Late To Your Own Funeral: How To Leave A Legacy And Not A Logjam is the first book they’ve read on this topic that doesn’t make them feel like they’re reading a legal manual—or a eulogy. I’ve had so many people tell me they’ve given this to their aging parents, who would never even broach the subject with them, and now they’re meeting with attorneys and formalizing their estate planning documents. One woman said, “This made me laugh, cry, and then finally get my affairs in order.” That’s exactly what I was going for: clarity, empathy, and a little irreverence to make it all feel more doable.

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Interested in learning more about becoming a Professional of After Loss Services? Join Rachel and our co-founder Heather at the Professionals of After Loss Services Conference this October in Atlanta, GA. Click here for more details. 

© 2025 Artifcts, Inc. All Rights Reserved.

Today is International Holocaust Remembrance Day, the anniversary of the liberation of the Auschwitz-Birkenau concentration camp. Through the artifacts and stories carefully preserved and shared, we can connect with our shared history and bring forward its lessons to a new generation. We hope you find inspiration in this story, the spoken and unspoken history of a family that has now been brought into the light. We extend our deep gratitude to Deborah for sharing her story.

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Meet Deborah.  

Deborah grew up Jewish, the kind of Jewish that enjoyed matzah but also celebrated Christmas with other kids in her Connecticut neighborhood. Being Jewish, she felt different, special, “even if I didn’t know what being Jewish meant.”

While Deborah knew vaguely of her family’s migration from Austria to the United States during World War II, she knew little of the details that completely relandscaped her family’s lives.

Fast forward many years to 2003 when Deborah asked her mother about family documentation that might exist to support reparation claims for those who had property stolen as the Nazis swept across Europe. “My Mom said, ‘Good luck with that,’ and pointed up, to the attic, ‘Everything’s up there. Suitcases full. Take it.'"

Sure enough, Deborah’s great grandfather, her mother’s paternal family, had squirreled away a plethora of ephemera to document his original Vienna-based hat business, along with letters and other materials of their life. Everything they had departed Vienna for the US with, was all that remained. The rest? The rest was in secure storage at a port in Italy, destined for a ship to the US, and stolen when the Germans overtook the port. 

“It turns out, my mother’s maternal family, having left for the US a few years earlier arrived with practically all of their household items. We’re talking everything down to their 12-piece fine porcelain dinner service.” But of course, they lived in a small apartment in New York and had no need for most of the items. It all sat in storage for decades, wrapped securely in the same 1938 newspaper it shipped over to the US in.

Following are snippets from our co-founder Ellen’s conversation with Deborah in honor of today’s International Holocaust Remembrance Day. We’re sharing some of the spirit and content behind her discoveries into her own family history and the holocaust. Her Artifcted collection of family artifacts and her book Nothing Really Bad Will Happen provide you, the curious, with so much more historical color and context. We encourage you to explore and take in the themes of resilience, legacy, and survivorship.

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Ellen Goodwin: Where did all these family artifacts come from? You have a hat designed by your great grandfather, a vast collection of mementos and ephemera. Who was keeping them all this time? How has it been preserved?

Deborah Holman: Well, one part of my family lost everything, and the other saved it all.

My mothers’ father’s family essentially lost everything. They moved it into a storage container in Italy in 1941 to ship to the US once they got here. But when the Germans captured the port, everything they owned was stolen. They arrived with a suitcase and 5 bucks. The only reason I have one of the hats from my great grandfather’s hat factory in Vienna is I was able to find one on eBay!

My mother’s maternal family left earlier, in 1938, and they kept everything. They dragged all of it from Vienna and deposited it in the storage area of their apartment building. It sat there until it migrated into my mother’s attic, wrapped, unused, and never spoken of.

Goodwin: But your great grandfather’s documents, they were an exception. They made the trip with him to the US, right?

Holman: Yes, exactly. When they confiscated his hat factory, he began immediately to try and get it back. He saved every document, every letter for reparation claims. It was a whole additional suitcase in my mother’s attic I never knew about.

Goodwin: You never knew. You mean your mother never discussed it? 

Holman: Never. My mom was six when she fled here with her mother and grandmother. All she ever said were things like, “I could have been a princess,” and “Maybe I could have had a sibling,” or “We had money, and then we had nothing.” I knew her father had spent 10 months in two concentration camps, my grandmother had all the letters he sent every two weeks, but that’s it. 

My daughter was the only one to ever open a small crack into my family’s holocaust history when she interviewed my mother for a school project in the late 90s. I don’t know how accurate the memories were, but my mother shared more than I had heard before. And then that was it, “There’s no point in talking about it anymore,” were my mother’s final words on it. 

Goodwin: When going through large collections like these you expect to find certain things: passports, travel papers, letters, and the like. Did you find anything surprising?

Holman: As I was writing my book, I was feeling guilty about how I portrayed my great grandfather, the hat maker. He does not come across as a really good guy, so stern. And that’s where the title of the book, “Nothing Really Bad is Going to Happen,” came from. His view of what the Nazis were doing was akin to “this happens to Jews all the time.” He almost blew it, not getting out until ’41 because of his mindset. 

And yet, one day out of the blue, my sister called to tell me she found his wallet in a box in her house. She has no idea how it came to be in her possession. And tucked in the back of the wallet was a newspaper article, written in German. I translated it and discovered it was essentially an advice column, advising against giving your children too much before you die because if you do, they won’t learn to be self-sufficient, and they’ll want you to die prematurely so they can get your stuff.

With that article, I realized, I portrayed him pretty accurately. Guilt gone!

Goodwin: And THAT is why I tell people the things we keep speak volumes about us, what we value, and even our aspirations.

So, you have all this now, and you know more about your family history. What will become of these physical artifacts?

Holman: We’ve agreed we want to donate items of broader interest to an institution where people will get to see it all up close, somewhere more intimate. There are some museums in NYC as well as the Center for Jewish History that we have in mind. 

Goodwin: As we bring our conversation to a close, I’d like to circle back to where we began. You said as a child you didn’t know what being Jewish meant to you. What does being Jewish mean to you now after you’ve done all this family research?

Holman: Being Jewish means strength and resilience. It means “Good luck. Do what you want. We’re not going anywhere.”  

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Let this be your call to action on this International Holocaust Remembrance Day. Let this family's artifacts of the past and the people and stories they represent remind us always to stand against hate and intolerance in all its forms. We are better than our past, always improving with the lessons of history as our guide.

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© 2025 Artifcts, Inc. All Rights Reserved.

Reading time: 4 minutes 

For those of you who don’t know, our co-founders, Heather & Ellen, started their careers at the Central Intelligence Agency (CIA). They both served as briefers and frequently worked hand in hand with members of four branches of the US military – Army, Navy, Air Force, and Marine Corps.

Today, to celebrate National Bourbon Day, we’re honored to highlight the hard work of fellow friend, CIA colleague, and Air Force veteran, Mike Trott, co-founder of Four Branches Bourbon.

Heather sat down with Mike for an in-depth conversation on all things bourbon, stories, and the importance of taking a moment and remembering those that have come before us and those who have served alongside us.

Below is an excerpt from their conversation.

Heather: Part of the lore of Four Branches Bourbon is that you built the company in honor of one of our fallen heroes. Could you tell us a bit more about that? How did Four Branches Bourbon come to be?

Mike: You’re absolutely right. Four Branches Bourbon started with a phone call. One of my good friends, Rick Franco, a Marine Corps veteran, called me one day and said he had been thinking that he wanted to create a special barrel of bourbon in honor of his fallen close friend and colleague Greg Wright.

Rick and Greg went way back. They went to Virginia Military Institute (VMI) together, served in the Marine Corps together, and several years later Rick recruited Greg to serve in the CIA alongside him. On Greg’s first deployment overseas, he was the hero. He sacrificed his own life to save those of his team. Rick had the honor of repatriating his remains, and from that day forward, had wanted to do something to honor him and his family. Greg (along with our other CIA colleagues) is recognized with a star on the white Alabama marble Memorial Wall at CIA Headquarters, and is listed in the Book of Honor sitting beneath the stars.  

At the time we had no way of knowing how big Rick’s idea of a special barrel of bourbon would become.

We each carried with us stories of heroes. And my call with Rick got me thinking back to one of my assignments at the CIA: repatriating the remains of Mike Spann to his family and CIA colleagues. Mike was one of the first paramilitary officers sent into Afghanistan post-9/11. He was a true American hero and is known as the first American to die in combat after 9/11.

At that moment, I got what Rick wanted to do one-hundred percent and why he wanted to do it. We suddenly had a new mission -- let’s tell those stories and say those names so that no one ever forgets.

Co-Founders Mike Trott and Rick Franco bottling Four Branches Bourbon. 

Heather: That’s an incredible founding story, Mike, one with heart and mission. So you and Rick now had two of the four branches. How did you find your other two co-founders?

Mike: Well, once we had this idea in our minds, we couldn’t let it go. We quickly reached out to a couple friends, Harold, a Navy veteran and RJ, an Army veteran, and found we all had similar stories. We found ourselves sitting around a fire and telling the stories, saying the names, and it just clicked. This is it. We all wanted to do something to tell the stories and help others remember.

Bourbon is itself a reflective spirit. You sip. You reminisce, it slows you down, makes you reflect on the past. And it doesn’t always have to be bad memories – it could be the birth of a child, a wedding, promotion, those special moments.

Heather: Not to interrupt the reflecting (and seeing that we aren’t sipping a glass of bourbon, yet…), but I hear you’ve got a great story about traditions, weddings, and bourbon?

Mike: Yeah, that’s a good one. There’s a southern old wives’ tale that says if you want good weather on your wedding day, you’re supposed to bury a bottle of bourbon in your backyard, and then dig it up on the wedding day. Well, our good friend Dr. Rob Darling (a Navy veteran) did just that with a bottle of Four Branches Bourbon earlier this year. He dug it up a month ago or so on the morning of his daughter’s wedding and they had a perfect day. Just perfect.

Tradition, heritage, all woven into the American fabric of who we are, what we are. Bourbon is an American product. Fun fact: all whiskeys are bourbons, but not all bourbons are whiskeys. Bourbon can only be manufactured in America.

Heather: Who knew! Bourbon, memories, and good weather! I want to talk some more about those special bottles of Four Branches Bourbon you make for charity. I’ve seen firsthand how the intelligence and military communities have come together around the brand, and how you all have done some really neat things with those bottles to raise money for good.

Mike: It started with us donating a bottle or two of Four Branches Bourbon to a handful of fundraisers for veterans and their families. We signed the bottles, and were thinking, sure, hopefully they can get at auction what the bottle is worth, maybe a hundred dollars or so.

We were blown away by what happened next. At one event I was on stage, telling our story, and the next thing I know our bottles are being auctioned off for $20,000, $30,000... It was incredible. To date we’ve been able to raise nearly $300,000 for charities focused on serving veterans and Gold Star children and their families. Just incredible.

You realize right then and there, it’s not about the bourbon. It’s about the story. The mission. The fact that we’re on to something bigger than any of us. The need to reflect, to remember those we’ve lost, but also those who’ve lived and are living because of their sacrifices.

We’ve gotten really creative over the past year with the bottles we offer for charity. We’ve included pieces of uniforms from our fallen heroes, challenge coins from missions, Harold even gave up his Trident badge for one of the bottles.

Heather: It hasn’t always been easy though. Alcohol, drinking, it can be really tough on returning service members and their families. Tell us a bit about your founder’s journey and the conversations you’ve had around the tough ‘stuff’ in the spirits industry.

Mike: As founders, we took a step back when we lost a mutual friend due to alcohol in the veteran community. We took a couple of months off; realized we couldn’t take alcohol out of the world, but could we change the narrative. That’s a BIG part of our tagline: Drink honorably. Sip to remember.

We want people to stop drinking to forget, and instead sip to remember.

We’ve done probably 4,000 tastings across the country and I’d say 60% start to cry when we say stop drinking to forget. Start sipping to remember. It’s really powerful when you think about it.

And I know that may seem like a strange thing for a founder of a bourbon company to say, but if we sell less so be it. We’re not changing the message. It’s a part of our story, part of our mission.

Four Branches Bourbon is on a mission to "Sip to Remember."

Heather: One last question Mike. Because we are Artifcts, we have to ask, do you have a favorite artifact from Four Branches Bourbon?

Mike: I have to say, our Master Class with Bourbon Hall of Fame Master Distiller, Steve Nally, who guided us as we created our unique four gain Founders Blend. You can click here to view the Artifct and read a bit about the story.

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You can learn more about Four Branches Bourbon, Mike Trott, and his fellow founders on their website. And if you’re lucky enough to be in one of the 32 states they currently ship direct to, or live in KY, TN, FL, AZ, WDC, MD and VA, you can also pick up a bottle of this incredible bourbon with a story and join Mike, Rick, Harold, and RJ as they #SiptoRemember.

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Want to hear more of the story? You can watch an interview of Mike and Rick on Fox & Friends. 

© 2024 Artifcts, Inc. All Rights Reserved.

Reading time: 12 minutes

In honor of National Estate Planning Week, we thought we’d take a deep dive into the world of appraisals with an Ask Me Anything with our dear friend, colleague, and Ally in 'Stuff,' Sarah Reeder, Founder of Artifactual History Appraisal.

In addition to being an expert on ‘stuff,’ and specifically the value of ‘stuff,’ Sarah is also author of the book Ray Eames in 1930s New York, co-editor of Worthwhile Magazine™ and co-creator of The Art Elevator Collector’s Club. Read on to learn more about what she does as an appraiser, when to contact an appraiser, and even those questions we all want to ask (but may be afraid to!), such as the difference between an appraisal and a valuation.

Heather Nickerson, Co-founder of Artifcts: For our members who are new to the appraisal process, how would you sum up what you do?

Reeder: I like to think of what I do as being part lawyer, part accountant, and sometimes even part therapist! It might surprise some people, but appraisals are nothing like what you see on TV. My work entails numerous hours of research, the preparation of legal documents, and meeting meticulous professional requirements for appraising items to establish a value in a specific level of the market on a specific day (called the effective date) for a specific intended use. (We’ll come back to that later!)

The work appraisers do is a very specialized type of professional service akin to an attorney or an accountant that requires a lot of time and focused research, so the very quick and informal “off-the-cuff” depictions of appraising we all see on television have edited out the lengthy preparation (because it would be pretty boring to watch!) that goes into those short segments we see. But I wish it was more widely known that there is so much more work that goes into appraising than the 2-minute clips we see onscreen.

The therapist part sometimes comes into play because as you know so well here at Artifcts, objects can hold powerful memories and inspire strong emotions, totally independent from what their monetary value might be. Sometimes it’s a delicate conversation when the “heart value” and financial value are not aligned, and that is where I rely on market data and research to help individuals understand the current market conditions and corresponding value of the item. I always emphasize that market conditions should not diminish the positive sentimental associations they have with an item—they just happen to be the lens that appraisers must use in our professional work.

Nickerson: So, getting down to the nitty gritty, can you walk us through a typical day?

Reeder: There is no one typical day. That is one of the many things I love about being an appraiser, you never know what you’ll be working on next! There are two types of appraisals I spend most of my time on insurance appraisals and estate appraisals. And yes, they are different!

When I am working on an insurance appraisal, I am creating a legal document that will protect you and your items in the event of damage or loss. These appraisals are for the retail replacement value of the object and in doing so, pins that object and that value in time. That specific moment in time is called the effective date of the appraisal, and all appraisals have effective dates.

The effective date of appraisal is so important in all appraisal report intended uses, because it provides critical context for the numerical appraised value. The markets for art and antiques are always changing, much like the stock market we are more commonly familiar with, so the appraised values need to be contextualized to a specific day, because on the day before or the day after market conditions may have been different. For insurance appraisal reports, the effective date is typically the day I inspect the items in person as it establishes the condition I witnessed on that day.

When working on these types of appraisals, I spend a lot of time researching the object, documenting it with photos and a detailed description, cataloging it with a standardized format that will allow future users of the appraisal report to know the characteristics of the appraised item, researching the specific level of the market for similar items for the appraisal report’s intended use, and then developing an appraised value based on all the above.

In the case of insurance appraisals, the appraised value is generally the replacement value of the object (i.e. what would it cost to acquire the same exact or very similar object in a short period of time from a retail dealer). For example, if I am appraising a painting by a particular artist for insurance purposes, I’m going to identify which galleries represent that artist or sell paintings by that artist, and then compare their available inventory and pricing (which often is not publicly available and requires outreach to the galleries) to the appraised painting in terms of subject, size, condition, era of the artist’s career, and other factors.

Based on the current retail data I can obtain, I then make adjustments up or down if needed relative to the appraised painting, and document all relevant research for my appraisal client workfile, which I am legally required to keep for a minimum of 5 years. The final number after the specific adjustments from the comparable records accounting for differences from the appraised item is the appraised retail replacement value. So it’s all a lot more complicated and research-intensive than what the public typically sees in popular depictions of appraisers on television.

Insurance appraisals are very different from estate appraisals. Estate appraisals are not used for insurance coverage.  Estate appraisals are prepared at fair market value and are required in some situations to be filed with the federal government or relevant state and local governments for estate tax filing. The legal professional handling an estate is the one who determines whether this is required in specific estate situations.

While insurance appraisals are typically prepared at retail replacement value, estate appraisals are prepared at fair market value, which is often quite a bit lower. The United States government defines fair market value as

"The price at which the property would change hands between a willing buyer and a willing seller, neither being under any compulsion to buy or to sell and both having reasonable knowledge of relevant facts." According to Technical Advisory Memorandum 9235005 [May 27, 1992], fair market value should include the buyer's premium. [Source: Treasury Regulations Section 20.2031-1 (b).]

For estate appraisal reports, the effective date is typically at the time of the death of the deceased. This is very different than with insurance appraisals as it could take an executor months and months to close out an estate and yet the value is still pegged to the date of death. There is something called the “alternate effective date” which is 6 months after the date of death, which the estate can elect to use if the market has changed significantly in that time period. I always like to confirm which effective date the estate is using as this is a critical factor in guiding my valuation research.

Nickerson: Tell us a bit about the tools of your trade. What do you take with you when you visit someone’s home to start an appraisal?

Reeder: I am pretty consistent. I always take:

• • • a good camera for capturing documentary photos
    • a tape measure so I can obtain the dimensions of artworks and the other items I am appraising
    • a clipboard and paper so I can take notes on-site that will later be expanded with research back in my office
    • a blacklight for examining artwork for inpainting and other restorations
    • a jeweler’s loupe for studying silver marks and other small details
    • a flashlight for studying artist signatures and providing additional ambient lighting for my photographs in dark locations.

I carry multiple flashlights and measuring tapes with me. If one breaks while I am on-site, I have a backup available to be able to continue working.

These tools are necessary, because I have to make sure I capture all the precise details that make your object unique. If it is artwork, is there an artist signature? Any blemishes or marks? Water or sun damage? All of these things are important to ascertain the value of an object, and I need to be able to document them while onsite.

Sarah's trusty go-everywhere appraisal bag full of her tools of the trade. 

Nickerson: Some people, and I admit I was one of them at the beginning, may not know the difference between a valuation and an appraisal. Could you help explain what makes the two different?

Reeder: Sure! The Uniform Standards of Professional Appraisal Practice (USPAP) define valuation services as:

“A service pertaining to an aspect of property value, regardless of the type of service and whether it is performed by appraisers or by others.”

An appraisal is defined by USPAP as:

"(noun) the act or process of developing an opinion of value; an opinion of value. 
(adjective) of or pertaining to appraising and related functions such as appraisal practice or appraisal services.
Comment: An appraisal is numerically expressed as a specific amount, as a range of numbers, or as a relationship (e.g., not more than, not less than) to a previous value opinion or numerical benchmark (e.g., assessed value, collateral value).” 

In terms of the general popular context of these two words outside of their specific USPAP definitions, a valuation is typically more closely associated with ballpark estimates and not with a legal document. Think of it as something that will get you basic guidance, such as getting an approximate sense if an inherited collection is simply sentimental and has no monetary value, or conversely, if it might have significant monetary value.

Appraisals are legal documents. A verbal ballpark numerical range cannot be used in court to settle an estate, with the IRS to document tangible assets for tax purposes, or with an insurer to document items for an insurance policy. USPAP-compliant written appraisal reports are needed for those intended uses.

Nickerson: Are there any red flags our members should watch out for when hiring an appraiser?

Reeder: One of my personal red flags is if the appraiser essentially says, "I will tell you how much it is worth and then purchase it from you.” There is a major conflict of interest there, and their interest may not be in your best interest.

Another major red flag is if an appraiser is not USPAP-compliant. USPAP is a very important professional and ethical standard regulating appraisers to help protect users of appraisal services.

It’s always best to look for an independent appraiser who is USPAP-compliant, and ideally is also a member of one of the professional associations for appraisers such as the Appraisers Association of America (AAA), the International Society of Appraisers (ISA), or the American Society of Appraisers (ASA). I am a Certified Member of the Appraisers Association of America and a Certified Member of the International Society of Appraisers.

You also want to make sure that any appraiser you hire has expertise in YOUR object(s). A jewelry appraiser may be great for your jewelry collection, but not your collection of mid-century modern furniture and vice versa. In USPAP, this is called the “Competency Rule”—basically, is this appraiser competent to appraise your items? If they aren’t, they shouldn’t do it.

Nickerson: When should people hire an appraiser? Are there any life transitions that may necessitate an appraiser?

Reeder: Life transitions are a great time to take stock of what you have and what’s it worth. Some common life transitions where it can be useful to engage an appraiser are:

• • • If you have inherited potentially valuable items such as artwork. An appraiser can provide expert guidance on their value and prepare an insurance appraisal report so they can be scheduled and protected with your insurance company.
    • If you plan on moving it can be very helpful to have valuable items appraised for insurance purposes in advance or to update an existing appraisal to make sure the insurance coverage is current.
    • For estate filing purposes when someone has passed. The estate’s attorney will direct whether an estate appraisal is needed.
    • For proactive estate planning purposes—if you have large collections, it can be helpful to get a sense of their value and how they might be structured in your estate plan for maximum tax efficiency for your heirs (again, your attorney will be a very helpful resource in this process).
    • Sometimes divorces are another life transition that may require an appraiser for the equitable distribution process. 

I get called into homes frequently for what I call "on-site consultations" when people have a lot of things (usually inherited) and they are worried about missing something that is potentially high-value. These consultations do not necessarily have accompanying appraisal reports. Most appraisers will charge the firm's hourly rate for this type of service. It can be really helpful for people in "getting unstuck" so they can move forward and make decisions for what's next for it all! 

Nickerson: And finally, you’ve experienced firsthand the joy (and usefulness!) of Artifcting. Any advice for our members or thoughts on how Artifcting can aid the appraisal process?

Reeder: Yes! Artifct your ‘stuff.’ Don’t wait! The details, photos, even video can help an appraiser get to work immediately determining an appraisal scope of work and sometimes even using the Artifcts as a resource to appraise items that may now be damaged or lost. It can save a lot of time and back and forth emails if you Artifct and share your Artifcts with your appraiser. Artifcts really is perfect for an appraiser’s workflow!

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Sarah Reeder is a Certified Member of the Appraisers Association of America, a Certified Member of the International Society of Appraisers with the Private Client Services designation, and a graduate of New York University's Program in Appraisal Studies in Fine & Decorative Arts.

© 2023 Artifcts, Inc. All Rights Reserved.

Reading time: 6 minutes

One of the great things about being in the ‘stuff’ business is that you never know who you’ll meet! Over the past few years, Ellen and I have had the joy of getting to know and working with Cathi Nelson, Founder & CEO of The Photo Managers. We met Cathi by way of Matt Paxton, who told us upfront that she is the end-all, be-all expert on all things photo managing and organizing. Several years and many conversations later we wholeheartedly agree!

In honor of Save Your Photos Month, we thought it would be fitting to highlight one of our many conversations with Cathi, who really is the undisputed expert on all things photo organizing. 

Heather Nickerson: Tell us a bit about yourself! What led you to get into photo managing?

Cathi Nelson: Reflecting on my career, I realize there has always been a common theme: My love of photography and storytelling. Prior to starting The Photo Managers, I spent 17 years teaching people how to create meaningful scrapbook photo albums. I hosted large events where hundreds of women would come and spend the entire weekend working on albums for their families. Walking around the room, I realized this was more than people cutting photos into shapes and adding decorations. This was a way for people to share their legacies, and photos invoke memories and stories. 

By 2009, I noticed a significant shift in the photography landscape. The rise of digital photography meant that fewer people were printing their photos, and this change impacted my business. The turning point came when a customer asked how much I would charge to organize her digital and printed photos. It was at this moment that I realized there was a growing need for assistance, and I started a business called Photos Simplified.

Nickerson: So you started your own, wildly successful business, why not stop there? Why start The Photo Managers? You were obviously very busy with your own work, raising your family, and authoring your book! What prompted you to create a global network of like-minded professionals?

Nelson: The response from clients to my new business concept was overwhelmingly positive. As other scrapbooking professionals and residential organizers started learning about my success, they came to me seeking guidance in starting their own photo-organizing businesses. I realized that to ensure this emerging profession continued I would need to create a code of ethics, certification, and best practices, thus The Photo Managers was born. I chose a membership model, and over the years we’ve grown into a global community of hundreds of professionals dedicated to preserving and celebrating the rich tapestry of memories in our digital age. 

Nickerson: And then you did it again with Save Your Photos Month (SYPM)! Tell us a bit about how and why you started SYPM. I think a lot of people take for granted that SYPM is the month of September, except it wasn't until you built it!

Nelson: I launched Save Your Photos Day for the first time in 2014 as a one-day event. The concept grew out of viewing news stories about people being united with lost photos from Hurricane Sandy and the Joplin Missouri tornadoes. I would watch the news and it was so heartwarming to observe how people rose up to help, bringing food, water, clothes, and kindness.

Once the initial shock wears off a new wave of recovery efforts evolves, finding and restoring lost photos. Hundreds of volunteers have helped in these communities, carefully washing and restoring photos. Their efforts pay off when a family that has lost everything is reunited with even one precious photo. Thus, the concept of International Save Your Photos Day began.

The original concept was to save thousands of photos in just one day. Yet we found that one day just wasn't realistic and realized, why not make it a month!  So, in 2016 we rebranded it to Save Your Photos Month and each year we expand the variety of topics, classes, and conversations. Today this is even more important as the news is full of extreme weather disasters that impact family photos and priceless belongings.

Nickerson: Any tips for our Arti Community Members who are feeling overwhelmed by digital and physical photos? They know they want to do something with them, but don't always know where to start or what to do.

Nelson: First you aren’t alone if feeling overwhelmed. Most do, including me! Second, it didn’t take a weekend to create all those photos, so it does take time to sort through and organize them, but it’s worth it! 

Here is a quick summary of our 5 tips for photo organizing.

1. 1. 1. DEFINE YOUR GOAL, what would success look like?
      2. GATHER EVERYTHING and ACCESS what you’ve got. This can be as simple as “3 hard drives,” “4 iPhones,” and “5 boxes of printed photos.”
      3. SORT and CATEGORIZE—sort the photos into categories that make sense to you. Categories might include location, date range, events, products, or something thematic like “landscapes.” Edit your collection as you go, discarding or deleting duplicates and any blurry or “not so great” images.
      4. If you have any printed photos or slides, now is the time to scan. Decide if you want to do it yourself or hire a professional to do it for you.
      5. SHARE . And the options are endless … Artifcts, photo books, websites, slideshows, even the collection itself!

Nickerson: When should you consider hiring a photo manager?

Nelson: When life happens! I just hired a photo organizer myself because my son was getting married, and I wanted to create a video montage of his early years and his fiancé's early years set to music. I just didn’t have the time to scan the photos or sort through hundreds of images. It was so worth it! So, my advice is don’t put this off, hoping someday you’ll have the time.

Nickerson: We've heard our own Arti Community Members say—when they first learn about photo managers —"Ooh, they're like magic photo fairies, how cool." We know they work magic with photo collections large and small, but what are two or three things that make photo managers so special?

Nelson: This is a great question, and I have thought a lot about this over the years. There are two common traits I see in professional photo managers. They are curious about history, stories, and people, otherwise they wouldn’t want to look at someone else's photo collection. Plus, they are usually lifelong learners, because technology keeps changing and to be successful you have to keep up.

Nickerson: Do you have any particular project that you especially liked working on over the years? Something our members may be able to relate to?

Nelson: I really like working on themes and using photos to tell stories. A few years ago, I created a mini photo album as a gift to the important people in my life. I added a few photos, the story of how we met and what I appreciated most about each person. I then sent it to each of them as an invitation to a party to celebrate my milestone birthday and the gift of friendship.

Nickerson: What's next for you and The Photo Managers?

Nelson: The need for professional photo managers is only increasing and I recently formed an Advisory Board of members to help us envision the next 10 years. When I started this over 15 years ago, I never dreamed that I would build something that would live long beyond me. I feel a great sense of responsibility to ensure that this profession continues to thrive for the members and the customers we serve.

Nickerson: Last but not least, you know all about Artifcts. How do you think Artifcts could help photo managers with their work?

Nelson: I love Artifcts because early on I realized that photos are just one piece of the puzzle. People also keep letters, children's artwork, babies' first shoes, medals, and other objects. Having the ability to share those items and stories for future generations fits perfectly into what I intuitively observed all those years ago. We are a people of stories, and we tell our stories and what we care about through photos and keepsake items.

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You can learn more about The Photo Managers and even where to find a Photo Manager to help you based on where you live by going directly to the official website.

© 2023 Artifcts, Inc. All Rights Reserved.

This week, as Save the Photos Month continues, we asked interiors and brand photographer Linda Pordon to share three tips to help elevate your at-home Artifcts photography.

Linda is a recognized interiors and brand photographer based out of the New York/New Jersey area. Her work has been published in outlets including Better Homes and Gardens, Domino, Elle Decor, and the NY Times. Additionally, Linda is the owner and founder of Proppe Shoppe, a collection of curated vintage and one-of-a-kind decorative objects and furnishings for the home. (Maybe you'll nod with understanding when you see some of these one-of-a-kind finds didn't even make it to the store front but are instead futured in Linda's public Artifcts collection!)

Through her photography, Linda aims to convey the feel and depth of the pieces and spaces she photographs but, more importantly, she aims to create emotional connections to these subjects through her lens.

Hear from Linda directly for a few easy tips you can try at home to elevate the photography of your cherished objects without any fancy equipment (or frustration!). 

1. FIND THAT LIGHT

Let's start off by going against what you may think ... the "best light" does not necessarily mean find the brightest light possible (or upping your exposure on your phone editing mode) to make it all "light and bright."  I have photographed and sold $800 sculptures that look like they were taken inside a dark closet. But oh they were sexy. The shadows made you feel something when you looked at it. Sometimes, less is more. So a few tips for lighting:

It may seem counterintuitive but TURN YOUR LIGHTS OFF. Use natural and only natural light if you can.

• • • Bring objects outside. The perfect weather to photograph items is an overcast, cloudy day.  It gives even but bright-enough light.  If it’s sunny out, find a spot in the shade to place your object.  When outdoors, you want to make sure your light is even and not too bright.  Watch out for dark shadows that will overpower your images and distract.
    • When photographing inside, just open your shades and set up near a window ... just not directly in the sun.  If your brightest room is too bright, use a bedsheet to hang or tape over the window to diffuse the light a bit. Get creative!
    • If you can't move your object, make sure you try to minimize the artificial lighting that is needed or opt to bring lights closer vs have the orange glare and reflection of overhead lights.

Play with (gasp) shadows.  

I said it. Use objects near or in front of your light to create shadows. A window pane. Hold a stem of flowers in front of the light. A raffia hat. You get the point. This is so easy to do and creates such high drama and can be done with things you have around the house. Your images will be looking "editorial" in no time.

2. KEEP YOUR BACKGROUND SIMPLE AND MAKE IT CONSISTENT

If you're photographing several objects or an ongoing collection, try to make sure your color story and mood are consistent.

Do you want all bright pops of color behind your objects? Simple white? Dark and moody? The world is your oyster. My absolute favorite backgrounds are Replica Surfaces Boards (not sponsored but they should be!) which are lightweight and completely wipeable. The marble truly looks like marble and I have photographed it in every lighting possible. I wouldn't lie to you.  

If you don't want to invest in purchasing backgrounds, you can grab cheap poster board and keep it white or paint it any color or texture you feel like. Or hang a sheet against a wall and drape it down onto the floor. You would be shocked at how many brands are keeping their backgrounds pretty organic and homemade these days, but the images still look stunning and professional. 

3. THINK (AND PAUSE) BEFORE YOU SNAP

The biggest advice I would give you is take your time. Really think about your shot. Take your time holding your camera (even if it's your iPhone).  Look around at the light. When my kids photograph with me for fun, I always have them walk around and take pictures with their hands to really see things before they get distracted with clicking the shutter. Think before you get snap happy!

A few concrete things to focus on:

Composition: This is a really big part of photography and a hard thing to break down succinctly, but try to be mindful of the following:

• • • Leave negative space. It lets the eye breathe and actually makes your object more of a focal point.
    • Group smaller objects closer together to give them more "weight" on camera (groups of 3 are generally pleasing to the eye).
    • Vary up your angles. Make sure you get at least one head-on shot. Stand on a stool and take some overhead.
    • Watch your sight lines. Make sure key details aren't blocked. Try to see what your eye is drawn to and how it moves across an image.  

Gridlines: My #1 tactical PLEASE PLEASE do this is get your picture straight.

If you are taking pictures crooked, panned up or down and not taking a minute to get as straight as possible, your images are always going to look more amateur. I can forgive almost any sin above the crooked image. An iPhone trick here is to turn your gridlines on (Settings -> Camera -> Grid set to green), and voila! The Lightroom app (available on iOS and Android) also has a great feature to auto correct gridlines (Geometry -> Upright click this toggle -> keep to "Auto," generally).

Editing: If you looked at a professional photographer's images, they should look pretty good SOOC (straight out of camera), but we would all be lying if we said post-production editing isn't a large part of the creative process.

There are some horrible filters out there, but there are also some good free and cheap phone apps you can use for your camera phone photos.  Lightroom is my favorite for photo editing. I also love Color Story. Your iPhone's built-in camera editing tools aren't all that shabby either. Try to keep your highlights down, your shadows up, and play with the contrast and warmth as much as you want. If you find settings you love using, try to consistently apply them to your images.  

Last, but not least, have fun with it.

Photography is such a beautiful way to tell a story about something or someone you love. My favorite photos are the ones where I wasn't overthinking, I wasn't hyper focused on the technical pieces, and I was just inspired by what I was shooting. Enjoy the gift of translating things you love for others to see and enjoy.  

Share with us Artifcts you've created putting some of Linda's tips to the test at Editor@Artifcts.com. Or share directly with Artifcts on Facebook or @TheArtiLife on Instagram - we love videos too!

Want to learn more from Linda? Watch our Evenings with Artifcts event replay!

Happy Artifcting!

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ABOUT THE FEATURED PHOTOGRAPHER

Linda Pordon is an interior and commercial brand photographer based out of Ho-Ho-Kus, New Jersey. She has a B.S. in Finance and started her career in forensic investigations at PricewaterhouseCoopers before pivoting to marketing as an executive at American Express in the premium product space for 15 years. Linda draws on her 20-year tenure in corporate marketing and strategy to enable her to better translate the visions and stories of businesses in her photography work. When she's not behind the lens, Linda has her hands full with her favorite ever-moving subjects, her three young sons, 5, 7, & 9 years old.

© 2023 Artifcts, Inc. All Rights Reserved.