Sunny Morton may be best known for her public speaking and writing in the world of genealogy, but she is also a self-taught quilter. And while she credits YouTube with her skills, the creativity, technical prowess, and perseverance this craft demands really suggest her quilting skills say more about her than any online video.  

We love origin stories and now having watched Sunny Artifct and share quilt after quilt on Artifcts (@SJM), we were excited on this National Quilting Day to give you all a glimpse into one quilter’s hobby and the heart and story behind her craft. No artist’s journey is like another, and you’ll discover below the heart connection in every quilt she makes. 

The Origins of a Quilter

“I got started six years ago with a t-shirt quilt for my oldest son when he graduated from high school. Well, not just t-shirts, I suppose. I worked in his varsity school letters, too. He loved it and took it away with him when he moved out,” Sunny recalled, before smiling and offering a self-critique. “I used the wrong kind of stabilizer, so the shapes turned out a bit wonky. But I’ve gotten better, way better!”  

With three kids to practice creating those t-shirt quilts, Sunny had plenty of t-shirts to experiment. The second one was for her son Alex’s high school graduation.

“He is an engineering student with an artistic mind, so he helped design his quilt,” she said. “He played on the same soccer team for years, so he made the repetition in the quilt blocks more interesting by making those blocks smaller and lining them up together. He has variously gone by his first and middle names—John and Alex—so one clever block combines three different shirts to spell out his entire name. And I definitely did a better job on the quilting.” 

In Sunny’s most recent t-shirt quilt for her youngest, her daughter Seneca, not only did she get the stabilizers right, phew, but the materials she had to work with made for a unique design, too.  

“It’s all a single-color scheme because my daughter wanted me to use only the shirts and skirts from her school uniforms. I integrated the woven plaid skirt pieces and sewed down the pleats to add texture. It’s gorgeous.” 

We agree!

And thus, in just three quilts, you’ve learned a bit about Sunny and what connects her to her art. But why quilting? Read on! 

An Artist Emerges to Meet Life's Challenges

Let’s face it, YouTube videos will only get you so far in your artistry. Hands on instruction and comradery fill in critical knowledge gaps for any artist. Frankly, that’s true across professions. Can you imagine a surgeon who has never laid hands on a patient under the direction of an experienced surgeon?  

In Sunny’s case, her hands-on training came through quilting retreats with women who were generally much older than her and, notably, retired.

“They’d look at my work and say, ‘Um, let’s try that differently,’” said Sunny with a laugh. “They were so generous with their knowledge and opinions, for better and worse.” 

For Sunny, quilting became a way to connect with her family and other quilters as she’d slowly gather the materials for her quilts and dream of future designs. But it also became an outlet to manage the many stresses in her life, a life with complex health challenges surrounding her and her loved ones, as well as her grief for those she’s lost.   

“When my brother passed away unexpectedly, I holed up in my house for a year, creating two quilts for his daughters. It was cathartic. I needed that tangible outlet for my grief and to feel connected to him and to my nieces.” 

Sunny was quick to point out that it’s not only the cathartic nature of quilting that drives her. She also treats her time quilting as a reward in a busy season of life.  

Sunny works as a professional genealogy educator and content creator, in addition to being a wife, mother, and caregiver. So, when she’s working a lot of hours—never in her craft room—quilting is the reward waiting at the end of the day. With piles of textiles lying in wait, she can sink into her passion and emerge from the other side refreshed and with something to show for it, too.

A Family Honor: The Fundraiser Quilt 

Sunny’s quilting life is still in its early innings and yet it already has a happy interlude. Her family has a unique enduring tradition that’s all about THE quilt. For decades, her husband’s grandmother crafted a quilt each year to raffle off at the family reunion every Labor Day weekend. The proceeds help fund the following year’s gathering.

In the summer of 2023, Grandma announced her retirement. And she decreed that Sunny would be the future family quilter. “It was a ‘gasp’ sort of moment,” recalled Sunny, “Intimidating but what an honor. I thought long and hard about what this family would want. They are very patriotic and with a lot of veterans in the mix. Ultimately, I chose to quilt a compilation of American flags.” 

This quilt was unlike any other Sunny had created. Maybe it was the intense desire to win over Grandma (and the rest of the family), maybe she was ready for the challenge, or maybe it was both of those combined with an artist’s eye for something truly unique.  

No matter the motivation, the result was beautiful. “One of the family’s veterans, Nathan, bought so many tickets, he was sure he would win. At the very last moment, a cousin’s wife who had arrived late purchased her tickets—and she won! She is also a caregiver for a loved one with special needs, and I admire her. It was both funny and touching to see her beat out Nathan.” 

“And then when I got home, I made Nathan a smaller version and sent it to him as a surprise.”  

What will Sunny create next? You can follow her on Artifcts (@SJM) to see for yourself! 

Happy Artifcting! And happy quilting.

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© 2025 Artifcts, Inc. All Rights Reserved.

One of the most unexpected joys of building a company is the other entrepreneurs you meet along the way. Brilliance and creativity, moving the world in a better direction, seem endless. 

Imagine our delight to be introduced to a jewelry designer who loves stories as much as we do here at Artifcts. This Valentine’s Day we’re shining a light on her beautiful work and the stories and art all around that inspire her and motivate her through it all.  

Should you be shopping for yourself, a friend, or other loved one this Valentine’s Day, our guest today is offering Artifcts members a 20% discount* to bring home a modern heirloom with heart. Use the code LOVESTORY at checkout.

With that, we so hope you'll enjoy this special edition of ARTIcles by Artifcts! 

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Tanja Cesh is the type of woman who believes “How it’s made matters.” She’s unwavering in her commitment to preserving heritage craft and helping to lift up the artisan sector where vulnerable people, often women, have been undervalued for generations.

Through her travels, it’s Nepal that captured her heart and her imagination. She’s built her jewelry, apparel, and tabletop brand, Mulxiply, (pronounced “multiply") hand in hand with Nepali artisans with whom she now counts among her friends.

“The Nepali people love their country. Over the decade plus since I’ve been traveling there, I’ve seen a growth in the young energy and the value placed on the “maker” culture.”

Lucky for all of us, we can embrace that cultural movement through the stories and products Tanja creates.

“Stories, whether it’s what the inspiration was, or about the people who wear the jewelry, or how it was made, are so important. It’s exhausting being a modern consumer. AI thinks it knows us, reduces us to data points, but being approached that way is anything but personal or motivating.”

Tanja takes pride in the fact that together, she and the artisans are creating products you want to buy and want to pass down for generations. “This isn’t the type of stuff you buy out of guilt and turns up quickly in secondhand shops.”

While we chatted, Tanja spoke briefly about her art and design background, but it was her stories about her mother, her aunt, and her meetings with other artisans that seemed to truly shape her ethos and designs for Mulxiply. What better way to share her story than through her own words. 

Meet the Creator of Mulxiply, in 5 Artifcts, by @TanjaC

Artifct #1: Mom's Embroidered Jacket by Sigrid Olsen

Early learnings in fashion and design

“While this is a photo of our wedding, the artifact I'm highlighting is my mom's jacket... from a designer named Sigrid Olsen [...] I learned so much for Sigrid about how things work in [the fashion and design] business, but also how to keep things truly personal and with a story.”

Artifct #2: Dad's Vintage German Telefunken Radio 

Nostalgia meets mid-century design turned personalized marketing

“This radio has always been in my life. My parents brought it with them when they moved to America from Germany [...] Towards the end of his life, my dad struggled with both cancer and dementia [and] listened to music all the time until the day he died. [...] We used this radio as a prop in my company Mulxiply's Fall/Winter 2024-25 photoshoot.” 💕 

Artifct #3: Polaroid of Mom 

A single vintage photo inspires an entire jewelry collection 

“Years ago, I found this mysterious Polaroid of my mom captured in a moment [...] so stylish in her bob parted in the middle, sitting around a table with friends listening to music, candles flickering, drinks and conversation flowing. This photo became the inspiration for the Mulxiply Fall/Winter 2024-25 Jewelry Collection.”

Artifct #4: Vintage German Book "Sternstunden der Menschheit" by Stefan Zweig 

An eye for good design, even in the hardbound variety 

"I have no idea what this book is about as I've never read it. There is a collection of them — all beautifully bound with handmade paper, each book with a different pattern and color. [...] There is so much intention to how this book was made, and I appreciate the handmade nature of it. [...] We also used this book in Mulxiply's Fall/Winter photoshoot as a prop for the model to hold."

Artifct #5: Gold Bangle from Mom made by Zee Sipantzi 

Cherishing the old, and Artifcting it for always 

"This simple bangle was handmade by jeweler and family friend Zee Sipantzi. My mom had several pieces of jewelry made by Zee. [...] I wanted to Artifct it quickly as I'm not quite sure how much longer it will last. This is one of the cherished pieces I was able to keep after she passed and was the inspiration for the Ridge Collection I designed for Mulxiply."

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We hope we inspire you as always to take a fresh look at the 'stuff' in your life, stuff of old and anything new you bring into your life. Where do they come from? Why do you love them? Artifct to share and preserve it all.

Happy Artifcting!

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ABOUT MULXIPLY 

MULXIPLY was born out of recognition that fashion can be fair, art can be healing, and design can change the world. Working with our artisan team in Nepal, we are able to empower our artists to share their craft, economically impact their communities, and elevate their place in society. In doing so, we are elevating art and artisan. We couldn't do it without you.

* Offer valid until 11:59 pm EST on February 14, 2025. Valid online only. May not be combined with other offers.

© 2025 Artifcts, Inc. All Rights Reserved.

We want to help each person to transform stuff from a potential burden today and on future generations to the source of immediate connection, history, legacy, and financial security. We cannot do it alone.

The simple reality is that the world of ‘stuff’ is broad and sometimes overwhelming! Artifcts helps you to connect the stories and stuff, enjoy walks together down memory lane, support your wills and insurance coverage, and think through and document what to keep based on those hard tradeoffs between the emotional and financial value (and space!).

In 2024, Artifcts expanded its offerings by creating a new membership and platform feature set for professionals who work in your homes helping you with everything from decluttering and organizing to move management to end of life preparedness. The program is called ARTIPro, and it enables professionals to create Artifcts for and with you, securely. You trust these experts to help you with the physical items, and now they can help you organize the memories, stories, and value too.

Complimenting our ARTIPro program are other companies, organizations, and professionals who can help you preserve, sell, move it all, and more. We've learned about an amazing breadth of services and organizations and want to share a few of them with you.

Meet Our Allies in 'Stuff'

Our allies are resources to help expand your awareness of the possible for you and all your ‘stuff.’ The organizations represented cut across multiple categories:

• • • Digitization & Preservation
    • Organizing, Decluttering, & Moving
    • Valuations & Sales
    • Family History & Documentation
    • Preparedness & End-of-Life
    • Artistic Renditions

We have met with every company directly, reviewed their products, and are confident they can help or, at the very minimum, inspire your first or next steps. We have focused on those with broad national, and many international, footprints and services. Yet we know sometimes going local is what's needed, required, or desired. Learn about the possible in the world of stuff here at Artifcts! Head over to Allies in 'Stuff,' click to read about each company, and download the Allies map to have on hand as a reference.

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© 2025 Artifcts, Inc. All Rights Reserved.

Stepping into a football stadium you expect energy.

Setting down your bag of materials in quilting circle, calm and friendship.

Standing inside Magpie in Your Eye’s workshop – joy.

If you have yet to discover the joy of Magpie in Your Eye, by Maggie Stephens—one of Artifcts' Allies in 'Stuff'—you’re in for a treat.

Maggie could not help but wonder why we are all throwing away the small treasures we accumulate and collect in our lives. We’re talking about the small stuff – the less than 5-inch-tall knickknacks, tchotchkes, thingamabobs, and mementos on our shelves, in our bins, and maybe even our junk drawers.

UPCYCLED, JOYFUL ARTISTIC CREATIONS 

Maggie makes wreaths out of treasures people part with at estate sales, thrift shops, and charity stores. Rarely does she shop the likes of eBay; too expensive when you need more than 100 pieces for a single wreath. Leave those "pricey" thingamabobs for special treats or to meet a critical need.  

Maggie’s selectivity goes beyond just cost and size. “If you take a bunch of ugly things and put them together, you have something interesting.” Something with a character of its own. So there’s an essence of the object itself to consider, too. 

That is what drew us at Artifcts to Maggie. Not only was she upcycling before it was cool, but can you imagine a better housewarming gift for someone who has moved away from home (think adult children) or recently downsized, and so many bits and bops simply get left behind? Make them into a wreath and you can continue to enjoy them for years to come! 

That’s exactly what one US expat living in Switzerland did! She saw Maggie’s holiday display at ByGeorge in Austin, Texas, and brought Maggie an interesting challenge.  

Could she transform a box of toys the women’s children had outgrown into a wreath? Why yes, yes, she could, and the result was heartwarming.

Sometimes Maggie’s wreaths feature a color, other times a theme—bananas, jungle animals, Mexican crafts—and of course holidays.

It can take her over a year to collect enough pieces for a wreath since the pieces are all under $5, under 5”, and never purchased new. Maggie can get unexpected boosts when she buys a bag full of itty-bitty objects because there were two she really wanted, and then later several others in the bag round out a collection she didn’t even realize she had growing.

Case in point, a client last summer requested a fall wreath. Maggie wasn’t confident she had autumn themed items never mind enough of them. But once she started breaking down the essence of the season, out from the bins leapt mini pies, canned soup, dried vegetables, and more to create a distinctively autumnal wreath. 

THE WREATH CRAFT: STEP-BY-STEP

The wreaths start out with a 14” foam ring and are about 24” when completed. 

Wrap the foam ring in tinsel.  

Attach the hanger (before it’s too late)!

Then build layer by layer, starting by placing the largest of the items as the anchors around the wreath.  

Drying time between layers prolongs the building process a bit. Maggie never ever recommends accelerating it by using hot glue, because hot glue shrinks over time and then the pieces will fall off. “Sad!” Instead, she uses E600. The type of glue that will certainly outlast us all.

Want to try it for yourself? Here’s a helpful how-to video to create similar wreaths, but remember Maggie’s hot glue warning!

WHEN “DO NOT TRY THIS AT HOME” APPLIES 

We should warn that some of Maggie’s pieces require more than wild creativity and crafting skills. Sometimes you need to phone a friend with metal working skills! Surely we all have one … or not, ha. Maggie’s friend Anne Woods creates the necessary metal support arms and frames for larger custom pieces, like the rainbow piece Maggie displayed at By George last winter. 

We wanted to know what in this process was most challenging. Surprisingly, it was about the pieces themselves. Maggie laughed and said it’s a bit like getting a tattoo. Once she commits a piece to a wreath, that’s it, it’s gone. She might never find another like it.  

The hope is the piece, the collection reprised from dustbins and forgotten corners, will bring joy. “People always connect with one object or another in a wreath. It must be like Artifcts in that way. Stuff unites us.”  

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Have tiny stuff that might make a great wreath? Contact Maggie at maggie@maggiestephens.com. She’ll be delighted to work with you.

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© 2023 Artifcts, Inc. All Rights Reserved.

Today's story indulges Artifcts co-founder Ellen Goodwin’s fascination with the stars. She even has an Artifct or two about it. You can read one of them here. If nothing else, just like the act of creating an Artifct, let this story help remind you to take a pause to look up and enjoy the vastness of the universe and the potential within each of us every day to play an oversized role in it from our little slice of the universe. 

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Close your eyes.  

Picture a lighthouse.  

Is it hanging out alone on a rocky bluff or stony beach? Is it sun-shiny daytime or deep dark night?  

Would it surprise you to learn that most photographs of lighthouses only show these sentinels by day? Until recently, that is. 

Lighthouses today are largely on private land or public park spaces, both with controlled access. Even with access granted, you have weather, water, and other environmental conditions, including wildlife (Porcupines! No joke. Read the book USA Stars & Lighthouses.), to contend with if you want a close-up view. So logically most of us capture pictures of lighthouses only by day and often by boat or from some distance as in the photo shown in the Artifct Our Cape Cod Whale Tale. 

We had the good fortune to connect recently with David Zapatka, who has spent his professional life behind the lens of high-powered video cameras that bring the world everything from investigative news from the field to NCAA men's basketball tournaments and the Olympics. Privately, however, David was hooked on photography from the moment he realized his passion would be supported by submissions to his school yearbook, feeding him a constant supply of film and access to the people and places of the moment. 

Access and control - two of the most critical factors in photography. Control is about lighting. David preaches to his students: control - control - control. As for access, well, you know, can you get close to it? The third critical ingredient for David is passion. Conservancy, national history, community, all of these play into David's work to at last capture lighthouses at night, doing the work they were designed for, bringing ships safely to harbor, providing hope in a sea of dark, and reminding us we are infinitely small in this vast universe. 

David is creating a personal legacy in this work. For his kids and grandkids, for all of us, he'll know he left us something special. 

For each lighthouse in his book USA Stars & Lights: Portraits From the Dark David includes the story behind the shoot. Who owns and operates the lighthouse, how did he get access, what were the conditions when he went once (sometimes twice) to get the shot, and for budding photographers, even the technical details. Because there is no hocus pocus or photoshop here. You need to earn every bit of it. 

With no further ado, enjoy these special Artifcts from our friend David Zapatka. 

ABOVE: Assateague Lighthouse. Often shooting lighthouses at night involves critical timing. Sometimes you can't gain night access to lighthouses if the gates are locked. At the Assateague Lighthouse in northern Virginia, only at certain times of the year is the park open long enough into the night to photograph the lighthouse before you must leave or get caught locked in for the night! Click the image to view the Artifct.

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© 2022 Artifcts, Inc. All Rights Reserved.

ABOUT DAVID ZAPATKA

Rhode Island native David Zapatka's work regularly appears on national news and sports programs for ABC, CBS, CNN, HBO, NBC, and PBS. He’s covered six Superbowls, 20 years of the NCAA Men’s Basketball Tournament, four winter Olympic Games for which he won two National Sports Emmy awards for his contributions to the NBC coverage of the Olympics in Salt Lake City in 2002 and Vancouver in 2010. David's lighthouses work began in 2013 as a project that became so much more. 

Today we’re taking you to Kenya via the eclectic and artsy hill country town of Wimberley, Texas, to share the story of a photographer’s journey through music venues and the depths of oceans to the great continent of Africa, and the rise of a small Texas town as a champion (and namesake) of a southern white rhino. 

But before we talk rhinos, we must talk elephants. It’s too good of a story to pass up. 

In November 2019, award-winning photographer and long-time Wimberley resident Rodney Bursiel made his way to Kenya to capture the majestic elephants of the land. With only about two dozen of the “Big Tuskers” remaining, each are named, tracked, and closely studied. Inspired by photographers like Nick Brandt, Rodney arrived in Amboseli National Park with high hopes of photographing two of the famed large-tusk elephants: Craig and Big Tim.  

As luck would have it, Rodney came face to face with Craig, “I was enamored and downright giddy by the opportunity to get so close to this magnificent being!” A few hours later, Rodney would get word that Tim was about an hour away from his current location, but his day had already been long and was quickly losing light, so he decided to head out before daybreak the next morning to pursue him.  

Despite a 4 am departure, Rodney was too late. Tim had ventured off into an off-limits area of the park. Rodney never found Tim on this journey, and sadly a few months later in February 2020, Tim died of natural causes. This was a crushing loss to conservationists who expected Tim to live another 10 years, and a lost opportunity for a photographer hoping for a second chance with Tim. 

Fast forward to August 2021, a ‘next’ trip to Africa in the works, and more elephants on the agenda, Rodney learned about Najin and Fatu, the very last northern white rhinos on the planet. The LA-ST two! “You want to do something to help. Be a part of it!” said Rodney. Trip plans were scratched, new ones created. “Remember Tim!” Time seemed to be of the essence. 

Through a fortunate series of introductions, Rodney connected with James Mwenda, Grand Ambassador and former Ranger for Ol Pejeta Conservancy who knows these nearly extinct rhinos intimately, having protected and cared for them 24/7 for seven years. And this time, success! Meet Najin and Fatu, through the lens of Rodney Bursiel.  

Last September, freshly returned to Wimberley from this once in a lifetime experience, Rodney wanted to share his experiences through an immersive and philanthropic experience in his hometown. He and his partner brought together the people of Wimberley for an enchanting evening with entertainment by a Masai tribal dance group, an authentic menu prepared by Kenyan Chef Njathi Kabui and, of course, a conversation with Rodney and James Mwenda. Rodney unveiled his latest photographs of beloved Africa and together he and James wove the tale of Najin and Fatu to help raise awareness about the plights of these animals for a new budding community of wildlife conservationists.  

Click to view the Artifct of the Wimberley fundraiser

Surely it’s not surprising to learn that protecting large game in Africa is a never-ending endeavor, poachers are relentless and of course nature takes unexpected tolls, too, as in the case of Tim. A vast community exists to protect and conserve these animals. Photographers play an important role in making the animals real, instead of the stuff of childhood imaginations and stories, as well as bringing them to the forefront of media and philanthropy.  

The Ol Pejeta Conservancy chose to thank Wimberley for its financial support by naming its 15-month-old southern white rhino—the closest relative to Najin and Fatu—Wimberley. The Conservancy’s choice was very intentional. White rhinos are more docile and less skittish than the black rhino, making it easier for photographers like Rodney to return and continue to support the very survival of a species through photos, stories, and, most importantly, the sharing of knowledge globally. 

What’s next for Rodney? “The rhinos will always be near to my heart. The more I experience, the more I learn, the more I want to help raise awareness. I will continue my work with Ol Pejeta Conservancy and expand my efforts with other existing conservation outlets.” 

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Interested in learning more and supporting rhino conservation and efforts to combat illegal wildlife trade? Visit the Ol Pejeta Conservancy at www.olpejetaconservancy.org. 

To view more of Rodney’s work, visit rodneybursielphotography.com. If you’re local to or visiting Wimberley, his photography will be featured in a few upcoming gallery events, including Art on 12 (Wimberley), opened May 14; A. Smith Gallery (Johnston City, TX), throughout August; and The Wimberley Inn, a one-night only installation in November. 

© 2022 Artifcts, Inc. All Rights Reserved.