This week, as Save the Photos Month continues, we asked interiors and brand photographer Linda Pordon to share three tips to help elevate your at-home Artifcts photography.

Linda is a recognized interiors and brand photographer based out of the New York/New Jersey area. Her work has been published in outlets including Better Homes and Gardens, Domino, Elle Decor, and the NY Times. Additionally, Linda is the owner and founder of Proppe Shoppe, a collection of curated vintage and one-of-a-kind decorative objects and furnishings for the home. (Maybe you'll nod with understanding when you see some of these one-of-a-kind finds didn't even make it to the store front but are instead futured in Linda's public Artifcts collection!)

Through her photography, Linda aims to convey the feel and depth of the pieces and spaces she photographs but, more importantly, she aims to create emotional connections to these subjects through her lens.

Hear from Linda directly for a few easy tips you can try at home to elevate the photography of your cherished objects without any fancy equipment (or frustration!). 

1. FIND THAT LIGHT

Let's start off by going against what you may think ... the "best light" does not necessarily mean find the brightest light possible (or upping your exposure on your phone editing mode) to make it all "light and bright."  I have photographed and sold $800 sculptures that look like they were taken inside a dark closet. But oh they were sexy. The shadows made you feel something when you looked at it. Sometimes, less is more. So a few tips for lighting:

It may seem counterintuitive but TURN YOUR LIGHTS OFF. Use natural and only natural light if you can.

• • • Bring objects outside. The perfect weather to photograph items is an overcast, cloudy day.  It gives even but bright-enough light.  If it’s sunny out, find a spot in the shade to place your object.  When outdoors, you want to make sure your light is even and not too bright.  Watch out for dark shadows that will overpower your images and distract.
    • When photographing inside, just open your shades and set up near a window ... just not directly in the sun.  If your brightest room is too bright, use a bedsheet to hang or tape over the window to diffuse the light a bit. Get creative!
    • If you can't move your object, make sure you try to minimize the artificial lighting that is needed or opt to bring lights closer vs have the orange glare and reflection of overhead lights.

Play with (gasp) shadows.  

I said it. Use objects near or in front of your light to create shadows. A window pane. Hold a stem of flowers in front of the light. A raffia hat. You get the point. This is so easy to do and creates such high drama and can be done with things you have around the house. Your images will be looking "editorial" in no time.

2. KEEP YOUR BACKGROUND SIMPLE AND MAKE IT CONSISTENT

If you're photographing several objects or an ongoing collection, try to make sure your color story and mood are consistent.

Do you want all bright pops of color behind your objects? Simple white? Dark and moody? The world is your oyster. My absolute favorite backgrounds are Replica Surfaces Boards (not sponsored but they should be!) which are lightweight and completely wipeable. The marble truly looks like marble and I have photographed it in every lighting possible. I wouldn't lie to you.  

If you don't want to invest in purchasing backgrounds, you can grab cheap poster board and keep it white or paint it any color or texture you feel like. Or hang a sheet against a wall and drape it down onto the floor. You would be shocked at how many brands are keeping their backgrounds pretty organic and homemade these days, but the images still look stunning and professional. 

3. THINK (AND PAUSE) BEFORE YOU SNAP

The biggest advice I would give you is take your time. Really think about your shot. Take your time holding your camera (even if it's your iPhone).  Look around at the light. When my kids photograph with me for fun, I always have them walk around and take pictures with their hands to really see things before they get distracted with clicking the shutter. Think before you get snap happy!

A few concrete things to focus on:

Composition: This is a really big part of photography and a hard thing to break down succinctly, but try to be mindful of the following:

• • • Leave negative space. It lets the eye breathe and actually makes your object more of a focal point.
    • Group smaller objects closer together to give them more "weight" on camera (groups of 3 are generally pleasing to the eye).
    • Vary up your angles. Make sure you get at least one head-on shot. Stand on a stool and take some overhead.
    • Watch your sight lines. Make sure key details aren't blocked. Try to see what your eye is drawn to and how it moves across an image.  

Gridlines: My #1 tactical PLEASE PLEASE do this is get your picture straight.

If you are taking pictures crooked, panned up or down and not taking a minute to get as straight as possible, your images are always going to look more amateur. I can forgive almost any sin above the crooked image. An iPhone trick here is to turn your gridlines on (Settings -> Camera -> Grid set to green), and voila! The Lightroom app (available on iOS and Android) also has a great feature to auto correct gridlines (Geometry -> Upright click this toggle -> keep to "Auto," generally).

Editing: If you looked at a professional photographer's images, they should look pretty good SOOC (straight out of camera), but we would all be lying if we said post-production editing isn't a large part of the creative process.

There are some horrible filters out there, but there are also some good free and cheap phone apps you can use for your camera phone photos.  Lightroom is my favorite for photo editing. I also love Color Story. Your iPhone's built-in camera editing tools aren't all that shabby either. Try to keep your highlights down, your shadows up, and play with the contrast and warmth as much as you want. If you find settings you love using, try to consistently apply them to your images.  

Last, but not least, have fun with it.

Photography is such a beautiful way to tell a story about something or someone you love. My favorite photos are the ones where I wasn't overthinking, I wasn't hyper focused on the technical pieces, and I was just inspired by what I was shooting. Enjoy the gift of translating things you love for others to see and enjoy.  

Share with us Artifcts you've created putting some of Linda's tips to the test at Editor@Artifcts.com. Or share directly with Artifcts on Facebook or @TheArtiLife on Instagram - we love videos too!

Want to learn more from Linda? Watch our Evenings with Artifcts event replay!

Happy Artifcting!

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ABOUT THE FEATURED PHOTOGRAPHER

Linda Pordon is an interior and commercial brand photographer based out of Ho-Ho-Kus, New Jersey. She has a B.S. in Finance and started her career in forensic investigations at PricewaterhouseCoopers before pivoting to marketing as an executive at American Express in the premium product space for 15 years. Linda draws on her 20-year tenure in corporate marketing and strategy to enable her to better translate the visions and stories of businesses in her photography work. When she's not behind the lens, Linda has her hands full with her favorite ever-moving subjects, her three young sons, 5, 7, & 9 years old.

© 2023 Artifcts, Inc. All Rights Reserved.

Reading time: 4 minutes

If we’ve said it once, we’ve said it 1,000 times – photos really aren’t worth 1,000 words. And photos can't talk. Yes, you can animate them. You can even use AI to simulate a loved one’s voice. And yet … it’s entirely possible that one generation removed, the story is lost. And two generations removed, no one remembers with certainty who that is in the photo.

You’ve saved all these photos only to, what, make new research projects for future genealogists? 

We’ve written before about the need to rescue photos. We’ve offered tips, too. We are not advocates for projects for projects sake. For the best, most loved, and truly tantalizing photos in your collection, test out these interrogation techniques on your photos, and those you may inherit. You may just discover new personal or even world history in the process! 

Interrogation Techniques for Photos: Let’s Get Beyond the Five Ws

Psst… the same applies to postcards! Here’s an oldie but a goodie in the Artifcts collection.

Interrogation is about reading your subject. In this case, the subject is a photo and the clues it can offer about its past to share stories with friends and loved ones. 

START WITH WHAT'S TRUE

This is as close as you get to the 5 Ws but starting with “what’s true” can be simpler. “What’s true” even leads off our tip lightbulb on each Artifct you create in the “Description,” thanks to writer Jeff Greenwald.

• • Who is in the photo? 
  • When was it taken? 
  • Where? 
  • Who took the photo (if not you), and how did it come into your possession? Did it come down through your mother’s or father’s family? 
  • Is there any information written on it (if it’s a print) or in a caption or the metadata (if it’s digital)? 
  • What type of photo is it (E.g., black and white, colorized, CDV, real photo postcard)?  
  • What are the original dimensions of the photo? 
  • If printed, is it matte, glossy, added borders, or other adornments? 

Word of caution! If your photo, like this example, was pasted into a scrapbook or similar, and you suspect information is hidden on the back, start first by digitizing it. Then most of us should ask a professional archivist for help. If you are more daring, or less concerned if you damage the photo further, you can certainly purchase tools and learn online about approaches to help uncover the information, like applying hot air with a hairdryer. 

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Learn more about old photos you may have inherited from your family with our guest Lisa Lisson, genealogy researcher and techie behind Are You My Cousin? Genealogy. 

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NOW TAKE THE PHOTO IN, IN ITS ENTIRETY

• • • What is the photo of? 
      • • • • E.g., nature, a party, a portrait, a group of people, a cool building 
    • What is happening in the photo? 
      • • • • E.g., blowing out candles, dancing, a ceremony, just smiling, nothing – simple still-life  
    • Is it staged or casual? 
      • • • • This might also inform why it was taken. Do you know? A formal posed photo of an individual or family is very different than a candid moment, in motion or unaware. If it is staged, could it even be part of professional portfolio of work?

WHAT'S THE MOOD?

• • • Do you see: Shadowing, twilight, a moody setting? Or is this bright and sunshiny fun? Somber faces? Joyous expressions?
    • And closely related, how does the photo make YOU feel? The artistry could invoke feelings or your attachment to the people or places in the photo. 

STEP BACK AGAIN: THIS TIME FOR THE DETAILS

• • • Anything surprising in the photo, like a logo, a signature, or an object? Check the background and all around! 
    • Maybe who’s together in the photo is even odd, what they are wearing, type of hairstyles, or perhaps where it was taken.

FINALLY: WHY THIS PHOTO?

• • • As in why save this photo? What does it mean to you? What did it mean to the person who gave it to you? Why is it special?  
    • And what do you want others to know about it? 
    • Is this photo best paired with another photo, an object, a document, or even a video, to fully tell its story?  

Looking for Assistance? There’s Tech that Can Help! 

When context clues and family are not enough to help, you may opt for some technical reinforcement. For our co-founder Ellen’s mysterious family members on bikes, there are a few tools she’s curious to test. Maybe these tools will help you, too! Let us know at Editor@Artifcts.com what you discover.

Many tools include facial recognition these days and automatic tagging, likely including the built-in technology that came with your phone as well as popular cloud storage sites, like Google. Review the Privacy Policy and Terms and Conditions before you get started so you know the ins and outs of the data you’ll begin to share and collect for your privacy and the privacy of others who are featured in your photos. 

Related Faces' patented technology uses the US Library of Congress database as its testing input along with known persons others and you add to identify people in photos. Related Faces offers a free 14-day trial membership.

New arrival PhotoDater™, from MyHeritage, according to the in-person announcement from the company’s CEO at RootsTech 2023. Listen in around minute 38. The system uses everything from the furniture, hairstyles, and textiles to approximate the date a photo was taken. That can be a real help in narrowing where to look in a family tree for the likely people and places in a photo! Like Related Faces, MyHeritage offers a free 14-day trial membership.  

Happy Artifcting!

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You may also enjoy these additional ARTIcles by Artifcts:

Could You and Should You Part With a Family Photo?

What Should You Do With Old Scrapbooks?

A Virtual Impossibility: Keeping Up With All My Digital Photos

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© 2023 Artifcts, Inc. All Rights Reserved.

Reading time: 2 minutes

Last month I sat down with my dad, a proud member of the Baby Boomer generation, who happens to have a deep love for music and a vinyl record collection to prove it! We had one goal: Begin putting his vinyl collection back into use after nearly two decades in storage. Enjoy the nostalgia and the practical “how to” reclaim that record collection in the modern age. 

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“There’s no way. There are so many!” he exclaimed when asked to select a few favorite vinyl albums from among the hundreds in his personal collection to move out of storage and put back into play.

“Obviously the Beatles, George Harrison, Neil Young, the Stones …” he went on as he flipped through the albums before settling on the few he considered “seminal records.”

He said that each record—with famous melodies, jaw-dropping guitar solos, and powerful lyrics—was a direct tie to that time when he bought the album, the concerts where he heard the music live, and the people he enjoyed the music with.

During his high school days, as music transitioned from 45s to long-playing 12” records, he’d head into downtown Aurora, IL, to listen to the latest albums at Cook’s Hi-Fi. Ironic that today you can buy the latest hits on vinyl again, a nostalgic resurgence, but maybe also one that is favoring a certain quality in music, “The sound from vinyl records is deeper and warmer than CDs or digital formats,” he asserted.

Now in his 70s and contemplating a future that will include him and my mother downsizing from our family home of more than 40 years, he said categorically that the music would make the move. “I’ll buy a new piece of furniture for the records and a player for them. Music has shaped so much of who I am today.”

Until moving day arrives, my dad needed to pick from 100s to select a few to keep close at hand for daily doses of the music he loves best. Vinyl records are great, but they are more fragile and take up more space than their modern digital cousins. Over the years, the albums had been put into storage in an unused bedroom as shelf space was taken over by another of his favorite collections: books. (Books can tell you a lot about a person, too, of course.)

So, we were moving a few albums to a beautiful archival box with a clever peek-a-boo window because he does not yet have that new piece of furniture. His criteria for the few albums he’d start with was some internal balance of emotional connection and what the musicians did to transform not just music but the world.

“I could fill several album boxes without any trouble,” he remarked. “But these will do for the moment.”

Which albums would make the cut for you? Something old and something new? No cutting, keeping them all? If you need a hand as you sort through and move them around, pop over to Archival Methods and learn more about these vinyl record storage boxes (and save 15% with code AMFCT23) to decide if they are right for your own collection. Make it simple to enjoy the music you’re looking for and keep those records safe!

Happy Artifcting!

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Check out this related blog post over on Archival Methods: Introducing the Ultimate Vinyl Record Storage Box.

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© 2023 Artifcts, Inc. All Rights Reserved.

Are you frustrated by shadows, blurry images, and glares in your photos? Wish the colors or the object itself would pop a bit more? We take a lot of pictures, as you might imagine, and none with the benefit of a paid professional or expensive lighting.  

Here are our tips from our own daily experiences. If you have other tips, please share at Editor@Artifcts.com, and we’ll add them to this story! 

For Smaller Objects

If you want nice looking pictures for personal use (not appraisals - then you often need the pros!) and it's a movable or smaller object, we usually lay a large piece of paper on a floor or other flat surface near a window for indirect lighting and with no direct overhead lighting turned on. We bought our paper here. The direct overhead lighting is the main culprit of shadows you will cast. With a window, you can pivot where you stand to avoid the shadow. 

If you don't have or want to buy plain paper, try a simple wood surface, countertop, cloth, or even a cushion or pillow. 

If you are photographing an absorbent material, like newspapers or t-shirts, you won’t typically be battling glare. Try laying them out anywhere with overhead or natural light to take the picture.

For Larger Objects

For larger and/or immovable objects and scenarios with poor natural lighting, this is the time to grab a couple of lamps to give you more lighting control. If you do this, we recommend spending a few extra minutes taking photos of several items, so you will not need to take the lamps back out again any time soon! 

Remember, it is easy to go straight from the photos in the gallery on your phone, directly to the Artifcts app. Just choose a photo (or up to 5) that you want to use to create an Artifct, select share, and choose the Artifcts app. You’ll have options to crop and rotate each photo you add as you go as well as reorder them into whatever logical order you prefer. Watch this video for more about our app ->

Now, Try Editing Your Photo 

Don’t be afraid to play around with the photo. You can always cancel and revert back to the original. 

And don’t buy special photo editing software out of the gate. Use the built-in features on your phone or computer to play around with images you really care about. We almost always use the built-in editor on our iPhones to play with contrast, coloring, etc., but especially the "Brightness" level.

Because everyone loves a before and after, check out this example. We adjusted the cropped area and the brightness.

Check Out Sample Artifcts 

Here are a few Artifcts we created with a plain piece of paper, natural window lighting, a helpful angle, and a bit of editing with our iOS phone tools. Not professional, but not bad either! 

• • • Grandma's Cookies 
    • Yoga Joe 
    • Beaded Purse

Three Bonus Tips Before We Go 

No matter what you’re photographing, or whether you are inclined to edit the photo, here are a few additional tips from our own experiences. 

Tip 1: Composition can help. Pairing items together to help tell the story, like this apron and this photo + brochure, can also reduce the pressure on any one item looking "just so" in the photo. Your eye is distracted by the overall composition of items. 

Tip 2: Try using low-cost, lightweight, non-damaging accessories. A small tripod can help avoid blurry images that result from poor lighting, an unsteady hand, or an object with very fine details. Depending on how you want to use the tripod, you might consider whether it has anti-skid feet, what angles it can achieve, and total height. Here’s an example. Some tripods, like this one, also include a remote, which we haven’t tested but find intriguing. 

A felted or leather paperweight, to avoid damaging a delicate item, can also hold down a page to avoid including your finger in the shot! Small magnets can do the same, one on each side of a page. 

Tip 3: Patterns and odd number groupings. The human mind loves patterns and essentially finds them soothing and more memorable. Here’s a playful example - Lego cars! Ditto for odd number groupings. If you have several similar items or are creating a composition, per tip one, try out an arrangement of three. 

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You may also enjoy these photo and other media related stories from ARTIcles by Artifcts.

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© 2023 Artifcts, Inc. All Rights Reserved. 

Today our invited guest curator, genealogy expert Thomas MacEntee of GenealogyBargains.com, explores drastic methods used to ensure future access to precious family photos. You might just discover you have company in your own approach to old family photos!

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I’ll admit I’m a sucker for click-bait news headlines like the recent one, 'I sold a family heirloom to pay for my wedding - guests are now refusing to attend'. Basically, the eldest son in a family inherited a valuable family heirloom and decided to sell it in order to fund a lavish destination wedding. His reasoning? “I'm not much for big family traditions, so although it's a nice thing to have, I'm not massively attached to it. I have plenty of other good memories of my father and I don't need a fancy heirloom to remember him by.” 

I won’t weigh in with my opinion on this specific situation (well, okay, I will at the end of this article), but many of us experience similar dilemmas. The heirlooms we inherit are often not “high value” and consist mainly of family photographs. And many of these items hold no sentimental value for us. The challenge? What to do with the vast collection of family photos especially if we haven’t found a family member interested in keeping them? How do we ensure that these items are available for future generations? 

What Should Stay When I Go? Should I Keep or Should I Throw? 

I recently celebrated a Big Birthday (one that ends in a 0) which caused me to ponder my own mortality and what I would be leaving behind for my family to sort through. I have a HUGE collection of family photos dating back to the 1860s … literally over 4,000 photos. While I have spent many hours digitizing and cataloguing these images, what is the next logical step?  

The concept of “Swedish death cleaning” has always intrigued me: the process of cataloguing items accumulated during one’s life and attaching notes or instructions as to how they should be passed on or disposed of. Would I be willing to do the same with old family photos? Just like the article about selling an heirloom that one deems less important than other family members, what is my duty to hold on to and preserve family photos and what methods should I use?

My Decision and My Methodology 

I consider myself a “steward” for my family photos as well as my genealogy research. I don’t have a deep need to hold on to the actual photograph of my great-grandfather John Ralph Austin at age 18 months taken in 1897. The image has been scanned, catalogued, and I have even Artifcted it here.

What I haven’t yet decided is:

1. 1. If I still want to keep this photo;  
   2. If I want to send it on to an organization like the Lewis County Historical Society in Lowville, New York where my great-grandfather was born; or  
   3. If I’ll simply include it in my estate plan and let my executors decide on the disposition.

A neat feature when creating an Artifct is the In The Future field where I can designate what I want done with the photo:

While every family historian has different approaches to preservation of heirlooms, I strongly recommend creating a digital copy of the item in case the original is lost due to fire, flood, natural disaster, etc. In addition, make sure that digital copy is somehow backed up to the Cloud, an external server or some mechanism providing redundancy.  

Conclusion

In terms of the valuable family heirloom mentioned at the beginning of this article, I thought it was very poor form for the groom not to consult with the rest of the family, especially the younger brother who had a keen interest in keeping the item. Again, this simple act is in line with my role as a steward for my family history and heirlooms. What may not seem sentimental to me, may have a strong attraction for one of my cousins or other family members.

Please put together a plan on managing your family heirlooms and seek input from others in the family. It’s so easy to do here at Artifcts. Spur conversations about valuable or sentimental items, even if it is just a phone call or video call. Often you’ll gain perspective by learning more about the heirloom: what you remember about the item could be very different from that of an aunt or a cousin. At the very least you’ll collect new information to expand the story of that precious family Artifct.

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If photos are weighing on or inspiring you, we have additional ARTIcles by Artifcts that might interest you!

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© 2023 Artifcts, Inc. All Rights Reserved.

Reading Time: 5 minutes

Scrapbooking is more than a hobby. It’s a time-consuming, big-hearted passion and nearly infinite outlet for creativity. These works of art visualize people’s stories. 

The thing is, scrapbooks, just like photo albums, also take up space and collect dust. They feature people no longer in our lives. They can raise more questions than answers with the items they feature. And then, the physical reality – they fall apart. Read on for more on scrapbooking dilemmas and possible solutions.

Scrapbooking Dilemmas

They decay. The glue and tape decay and quite often that very same glue and tape damages permanently whatever it was holding in place. And then these damaged items slip out of place, and you may never again be very sure what went where, particularly if it’s not your scrapbook to begin with.

They are singular, unique. That means whether moving boxes get lost, your home has a fire or flood, or you simply lose track of them, they are easy to lose and irreplaceable. You can’t exactly go online and order another copy! (By the way, that can hold true for photobooks you create, too! Co-founder Ellen Goodwin was frustrated to discover she couldn’t reorder hers from a particular popular online photobook site because the specific formats are no longer supported. So sad.)

They are singular, unique. (Yes, we repeated that on purpose!) You can’t share a scrapbook. One person is the keeper. Who’s it going to be? You could offer visitation rights, we suppose. Or take turns? Just keep in mind that it is not the ownership of the physical scrapbook that matters but the connection it offers to the memories captured within.

They tend to be highly visual, with little story. Scrapbooks are often designed to have the stories told/shared by the person who created it as you page through it together. At best you typically get a description of only a line or two. The rest is just a visual walk through some aspect of a person’s life. So then if you inherit a scrapbook, so much history is truly lost. You are left to guess. The photos and items within cannot talk.

They are usually 2D. You don’t have audio or video options, unless you include a thumb drive, or similar, to support it.

How Can You Preserve Scrapbooks?

We went to four sources for advice on what to do with scrapbooks that are falling apart and/or have run their useful purpose: A parent of young children, a 70-year-old woman who is downsizing, a professional archivist, and the National Archives. We hope their tips will help you. 
 
THE PARENT.

I can’t help you! I gave up on scrapbooks after my first kid. It’s just too much guilt.

I keep some mementos in a fire-safe box for each kid, and the rest is in digital photo storage and the occasional photobook for holidays.

And, in full disclosure, I know one of the founders of Artifcts, so I adopted it early on. Artifcts is my go-to source for almost everything now, even the stuff that goes into the memento box I Artifct first. It’s too easy to forget what is what and which of my kids even made it. I write in pencil on the back of some things, but not everything. Artifcts is more reliable and fun, and they can take the Artifcts I create for them to college without embarrassment.

THE DOWNSIZERS.

“Scrapbooks were more time consuming than figuring out what to do with the entirety of my sewing room!” she told us. Here’s the downsizer’s version of events:

First, I had to find them. I knew I had two somewhere.

Then, I asked my two kids if either of them wanted the scrapbooks. That was like opening Pandora’s Box! I had never actually talked them through the scrapbooks, and they wanted to know more about what was in each. I had the mini-golf tally card from our first date. I even had music albums glued in. I couldn't tackle that time commitment right then because my kids do not even live near me.

I took the albums to a local camera store that has a special scanner and they digitized each page and gave it to me as a collection of photos on a thumb drive and they sent me a second version I could download from the cloud.

I decided to keep the scrapbooks for now. I want to record more of the stories that are in the pictures. I will give them to my eldest daughter when I’m done because she’s more curious about the family history and her daughter liked to page through them when I briefly kept them on my coffee table. Tell people: Do NOT keep them on the coffee table. It was a mistake. They are a mess!

A PROFESSIONAL ARCHIVIST.

Monocurate’s motto is “archives for all” and that’s how they work one-on-one with their clients. Professionals can help stabilize your scrapbooks so you can keep them for longer to share with the next generation. Guidelines from an archivist:

1. 1. Digitize them as-is.
   2. Carefully remove important items. Don't force it! Did you know … Sometimes people would repurpose books, like old phone books, to scrapbook. Upcycling is great, but may make for a bit more fragile scrapbook!
   3. Interleave the scrapbook pages with acid-free paper or tissue.
   4. Most importantly, stop scrapbooking.

It pains archivists to know the future of items consigned to scrapbooks and what the glues, metals, tapes and more will do to their contents.

THE US NATIONAL ARCHIVES.

The position of the Archives is clearest in this statement: “[Scrapbooks are] unique gatherings of material that are best preserved as a unit.” Much like archivists who work with individuals and families, the US National Archives suggests:

• • Store scrapbooks in cool, dry, dark places.
  • House them flat and in archival quality boxes.

• • If you "must" handle them, be careful! Put back anything that falls out, keep your hands clean, and obviously keep food and water away.
  • Do not attempt to repair scrapbooks you wish to pass on to future generations. Seek professional help or you risk further damaging what remains.
  • Avoid stressing the binding and contents by using copy machines. Use a hand-held camera or a face-up copier or scanner. Or, again, seek out a professional for digitization services.

OUR THOUGHTS ON SCRAPBOOKS

While you will not hear Artifcts say, “Stop scrapbooking!” we do strongly encourage you to think about why you scrapbook, what you hope to do with the product of your work one day, and how you can ensure that the stories woven into the contents are not lost.

We don't want your scrapbook and its memories in a trashcan someday, a casualty of too much stuff, too little space, too little interest in figuring out the stories and secrets it holds!

If you are taking the time to create the scrapbook, maybe take time to create an additional Artifct or two to go with the scrapbook, even if the Artifct is of the scrapbook itself, and is your story of why you created it, what it means to you, etc. Bonus, you can include audio and video and bring your scrapbook to life for the next generation.  

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© 2023 Artifcts, Inc. All Rights Reserved.